{"id":7016,"date":"2021-10-10T18:59:56","date_gmt":"2021-10-10T17:59:56","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?p=7016"},"modified":"2021-11-01T13:11:03","modified_gmt":"2021-11-01T12:11:03","slug":"festival-international-encounters-in-la-friche","status":"publish","type":"post","link":"https:\/\/www.instantsvideo.com\/blog\/en\/2021\/10\/festival-international-encounters-in-la-friche\/","title":{"rendered":"Festival: international encounters in la Friche"},"content":{"rendered":"\n

November, 10 to 13, 2021 – Friche la Belle de Mai, la Cartonnerie<\/strong><\/p>\n\n\n\n


AVIS DE PASSAGE<\/strong><\/em><\/span><\/h1>\n\n\n\n

WEDNESDAY, NOVEMBER 10<\/span><\/h1>\n\n\n\n

1891, death of Rimbaud in the hospital La Conception in Marseille. To die in conception, you can\u2019t make that up!<\/em><\/p>\n\n\n\n

06.00pm<\/span> – Welcoming words<\/strong>
And to set the tone<\/strong>
Les Rub\u00e2\u2019iyat <\/em>(6\u2019 – 1993) \/ Micha\u00ebl Gaumnitz <\/strong>(France)
J\u00e9r\u00f4me Peignot. L\u2019amour, la r\u00e9volution et la po\u00e9sie. <\/em>(2\u2019 – 2016) \/ Marie-Pierre Bonniol<\/strong> (France \/ Germany) <\/p>\n\n\n\n

06.30pm<\/span> <\/strong>(45\u2019) –  Avis de passages <\/em>on the tracks of the route to exile of Walter Benjamin <\/strong>
La derni\u00e8re marche<\/em> (35\u2019 – 2006) \/ Rachel Benitah<\/strong> (Switzerland)
Au passage, le degr\u00e9 z\u00e9ro de la qui\u00e9tude<\/em> (10\u2019 – 2021) \/ Pierre Carrelet & Marc Mercier<\/strong> (France) <\/p>\n\n\n\n

07.15pm<\/span> A tasty break at the Cabaret of Omar <\/em>(Khayyam) <\/strong>
Drinking wine and embracing beauty is better than the hypocrisy of the devotee.<\/em> <\/p>\n\n\n\n


07.30pm<\/span><\/strong> The feast of Holy groom words <\/strong><\/em>(30\u2019 \u2013 2021) \/ Installation-performance with Collectif Ornic\u2019art \/<\/strong> Arthur Le Goff, Vincent Costanzo, Andrey Birnfeld, Thomas Preier, Lili Gilier, Kaya Dalke, Christine Bouvier, Rochdy Laribi<\/strong>.
12 dreamers around a table\u2026 a car from the past. Holy, the Groom from the web series, a crazy visionary, serves us a collective dream to free himself from his own humanity, to go back to animality and to plunge into the sensation ofinfiniteness. He will continue the collect of dreams that started in 2018 just after the collapse of the building in a street in Marseille, and was extended during the Covid 19 containement. Poetic doorsteps to the worlds that come after.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Do not disturb<\/em>(30\u2019 – 2021) \/ Installation-performance with Collectif Ornic\u2019art<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

08.45pm<\/span> <\/strong>(28\u2019) – Do our songs have to finish?<\/strong>
Yesterday’s Tomorrow Morning<\/em> (8\u201908 \u2013 2021) \/ Susanne Wiegner<\/strong> (Germany)
La montagne de fleurs de Lourdes Castro<\/em> (10\u201915 – 2009) \/ Genevi\u00e8ve Morgan <\/strong>(France – Portugal)
Nuit d\u2019encens <\/em>(10\u201920 – 1994) \/ Marc Mercier <\/strong>(France) <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

09.15pm<\/span> – Concert-performance for a single voice <\/strong> Living Room Room<\/em><\/strong> \/ Fatima Miranda<\/strong> (Spain)
As a counterpoint to the invasion of digital technology, of intelligent telephones, apps, computers and all manner of gadgets that electronic music and sound art depend on and whose technological facilities resolve concerts with barely any need for any bodily intervention or gesture, Living Room Room is an intimate and a capella performance art piece in which F\u00e1tima defends the presence and rotundity of ONE single BODY with hardly any wires. Trained muscles (nothing more) sculpting the air with an extended voice, on a range of over four octaves used as a wind and percussion instrument.  Living Room Room present a single voice supported by a refined poetic, gestual, visual and humoristic component. enough to touch the deepest in us.  The dramaturgy of the Living Room Room evolves from the contemplative, melancholic, dramatic and ritual to a frantic, fun and somewhat crazy trance atmosphere.  Living Room Room in an attempt to propitiate a conscious listening, culminates with an improvised section interacting together with the audience and with the silent sound inherent to each place (with its signature hum), invariably unique, singing in dialogue with the architecture of the place.  Born of an ethno-minimalist sensitivity, F\u00e1tima Miranda alone on stage with the tools she has always used: the extended voice, the heritage of the East, the body, the onomatopoeia, the humour, the repetition, the space-time…, she turns her back on the tyranny of the canons of beauty in song and word and, facing the world her own way, she fearlessly rushes into the forest of the oral traditions which still inhabit this world, loaded with phonetic memories, which possibly precede language itself, evoking extinct codes of communication which are nestled in the collective unconscious.  In contrast to what is usually understood by culture, Miranda’s unclassifiable poetics attain a dimension of modernity in the sense of that which is always contemporary, understood as civilisation.<\/p>\n\n\n\n

  • \"\"
    Fatima Miranda<\/strong> (Spain)<\/figcaption><\/figure><\/li>
  • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

    <\/p>\n\n\n\n

    THURSDAY, NOVEMBER 11 <\/strong> <\/h1>\n\n\n\n

    02.00pm <\/span><\/strong> (70\u2019) –  Spaces of turmoil<\/strong>
    Passage<\/em> (8\u201920 – 2007) \/ Cheryl Pagurek <\/strong>(Canada)
    Why are people screaming ?<\/em> (2\u201954 \u2013 2021) \/ Bob Kohn<\/strong> (France)
    Mouvement fig\u00e9<\/em> (3\u201950 – 2020) \/ Mana Chuma Teatro<\/strong> (Italy)
    Marche Main<\/em> (2\u2019 – 2020) \/ Jean-Louis Accettone <\/strong>(France)
    Puisque… Poursuivre le tumulte de la mati\u00e8re <\/em>(9\u201904 – 2020) \/ Pascale Pillon<\/strong>i (France)
    Points de passage<\/em> ( 2\u2019- 2020) \/ Pauline Boucharlat<\/strong> (France)
    Travers\u00e9e<\/em> (1\u201909 \u2013 2021) \/ Judith Lesur<\/strong> (France)
    Maintenant<\/em> (6\u201935 \u2013 2019) \/ Marc Mercier <\/strong>(France)
    20\/21<\/em>  (2\u201916 – 2020\/21)  \/  Marcello Scuderi <\/strong>(Italy)
    The tree<\/em> (3\u201901 \u2013 2020) \/ Reyhaneh Taherverdi <\/strong>(Iran) 
    Monologues du Paon<\/em> (29\u2019 – 2020) \/ Matthew Wolkow<\/strong> (Canada) <\/p>\n\n\n\n

    • \"\"
       Matthew Wolkow<\/strong> (Canada)<\/figcaption><\/figure><\/li>
    • \"\"
      Pascale Pillon<\/strong>i (France)<\/figcaption><\/figure><\/li>
    • \"\"
      Mana Chuma Teatro<\/strong> (Italy)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

      <\/p>\n\n\n\n

      03. 30pm<\/span> (71\u2019) – What if the collapse had already arrived.<\/strong> 
      Ballad for time<\/em> (6\u201912 – 2020) \/ Ma\u00edra Ortins<\/strong> (Brazil)
      Lieux<\/em> (18\u2019 – 2021) \/ Jean-Fran\u00e7ois Guiton<\/strong> (Germany)
      Mars c\u00f4t\u00e9 Nord<\/em> (6\u2019 – 2020) \/ El\u00e9onor Gilbert<\/strong> (France)
      Black hole<\/em> (1\u201938 \u2013 2011) Susanna Sulic<\/strong> (France)
      G\u00e9ographie de l\u2019ineffable<\/em> (12\u2019 – 2020) Clio Simon<\/strong> (France)
      Il mio albero <\/em>(0\u201950 – 2020) \/ Daniela Perego<\/strong> (Italy)
      Moi ? Mon monde<\/em> (3\u201933 \u2013 2021) \/ Esmeralda Da Costa<\/strong> (Portugal \u2013 France)
      Fast rotations<\/em> (1\u2019 – ) \/ Stuart Pound<\/strong> (GB)
      A Breath into a Hole <\/em>(21\u201910 – 2021) \/ Charbel Samuel Aoun <\/strong>(Lebanon) <\/p>\n\n\n\n

      • \"\"
        Charbel Samuel Aoun <\/strong>(Lebanon)<\/figcaption><\/figure><\/li>
      • \"\"
        Jean-Fran\u00e7ois Guiton<\/strong> (Germany)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

        <\/p>\n\n\n\n

        05.00pm (50\u2019)<\/span> –  Ghosts<\/strong>
        M\u00e9moires de la T\u00e9l\u00e9vision<\/em> (49\u201925 – 2021) \/ Alain Bourges<\/strong> (France)
        Part 1) La voix des morts<\/em> (12\u201910) – Part 2) La vie instantan\u00e9e <\/em>(24\u201945) – Part 3) L\u2019\u00e2ge ingrat<\/em> (12\u201930) <\/p>\n\n\n\n

        06.15pm<\/span> (30\u2019) – Gestures<\/strong>
        Les gestes du travail<\/em> (15\u2019 – 2017\/21) \/ Giney Ayme<\/strong> (France)
        C\u2019est \u00e9gal<\/em> (15\u2019 – 2021) \/ Text and reading by Florence Pazzottu<\/strong> \/ Music by Giney Ayme<\/strong> <\/p>\n\n\n\n

        07.00pm<\/span> – In praise of gourmet delights in the Cabaret of Omar<\/strong>
        There is   no one who knows the secret of the  future.<\/em> What you  need is some  wine, love and relax.<\/em> <\/p>\n\n\n\n

        07.02pm<\/span> Taxi Dream<\/em><\/strong> \u2013 an escapade with the <\/em>Collective Ornic\u2019art<\/strong>
        What if the collective dream opens new paths for the worlds of tomorrow. The performance offers to dream together in Holy\u2019s car, the Groom from the web series Do Not distur<\/em>b, alike a video oracle.
        Duration 1 hour.  Limited to 8 persons maximum.
        Reservation is required<\/span>: communication.ornicart@gmail.com .
        More informations : 0658021825 <\/p>\n\n\n\n

        08.15pm<\/span> (60\u2019) – Performance with music, theatre and video <\/strong>
        Jamel Ibntrewan (Lost in Berlin)<\/strong><\/em> <\/strong>(2021) \/ Catherine Vincent  <\/strong>(France)
        The new musical and video performance of the duo Catherine Vincent follows the trajectory of Jamel Ibntrewan (anagram of Walter Benjamin), committed to the side of the Syrian revolution and exiled in Berlin, against the backdrop of the journey and themes dear to Walter Benjamin, a Berliner himself who lived in exile from 1933.<\/p>\n\n\n\n

        • \"\"<\/figure><\/li>
        • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

          <\/p>\n\n\n\n

          <\/p>\n\n\n\n

          09.30pm<\/span> <\/strong>(64 \u2019)-  A light point in space that  contains  the whole universe<\/strong>
          Une Collection d’Excentricit\u00e9s<\/em> (17\u201930 – 2019 ) \/ David Finkelstein<\/strong> (USA) Slower<\/em> (7\u2019 – 2018 ) \/ Kelly Gallagher<\/strong> (USA)
          Aleph<\/em> (14\u2019 – 2019) \/ Jo\u00e3o Crist\u00f3v\u00e3o Leit\u00e3o <\/strong>(Portugal) 
          FURTIFS, ou savoir dispara\u00eetre dans l\u2019angle mort des soci\u00e9t\u00e9s de contr\u00f4le <\/em>(8\u201945 \u2013 2021) \/ <\/em>G\u00e9rard Chauvin<\/strong> (France)
          Sur les fleurs la nuit<\/em> (3\u201933 – 2020) Stephanie Sant <\/strong>(Malte)
          El atardecer <\/em>(5\u201902 – 2021) \/ Mart\u00edn Emiliano D\u00edaz <\/strong>(Argentina \/ Chile)
          Faut-il se souvenir de la nuit ? <\/em>(5\u201949 – 2020) \/ Albane Gayet & Alexandra Roussopoulos <\/strong>(France)
          L\u2019Inou\u00ef Totinuit<\/em> (3\u201913 \u2013 2008) \/ Marc Mercier <\/strong>(France)<\/p>\n\n\n\n

          <\/p>\n\n\n\n

          FRIDAY, NOVEMBER 12 <\/strong> <\/h1>\n\n\n\n

          02.00pm<\/span> \u2013 A pre-opening conversation with some of the artists who exhibit : <\/strong> Marie-Pierre Bonniol, Robert Cahen, Renaud Vercey, Olivier Moula\u00ef, Pascale Pilloni, Jean-Paul Fargier, Ornic\u2019art, Richard Skryzak, Michele Sambin\u2026 <\/p>\n\n\n\n

          03.00pm<\/span>\u00a0 <\/strong>(53 \u2019) \u2013\u00a0 An image can\u2019t be seen with the naked eye\u00a0<\/strong>
          Abikou<\/em>\u00a0(6\u201930 – 2020)\u00a0\/ Alexandra Bouge\u00a0<\/strong>(France)
          Lost Photons<\/em>\u00a0(4\u201914 – ) \/\u00a0Stuart Pound<\/strong> (GB)
          Cibles<\/em> (Targets)\u00a0(1\u201902 \u2013 2019) \/\u00a0Pierre Yves Clouin\u00a0<\/strong>(France)
          Revision of Evidence<\/em>\u00a0(8\u2019 –\u00a02019) \/\u00a0Sophie Salzer\u00a0<\/strong>(Germany)
          Look at me<\/em>\u00a0(4\u201925 \u2013 2015) \/ Mozhgan\u00a0Erfani<\/strong>\u00a0(Iran)
          Paralelo<\/em>\u00a0(9\u2019 – 2021) \/ Santiago Echeverry<\/strong> (Colombia)
          Oltre il visibile<\/em>\u00a0(2\u201950 \u2013 2020) \/ Adriana Amodei<\/strong> (Italy)
          Exponentials<\/em>\u00a0(3\u201927 – 2021)\u00a0\/\u00a0Cristina Amiran & Khalil Charif<\/strong> (Brazil)
          M 4 2\u00a0\u00a0\u00a0O r i o n<\/em>\u00a0(4\u201928 \u2013 2021) \/ In\u00e9s Wickmann<\/strong>\u00a0(Colombia \/ France)
          Essence<\/em>\u00a0(1\u201940 \u2013\u00a02017) \/\u00a0Ali Zare Ghanatnowi <\/strong>(Iran)
          Supply (Alimentation)<\/em>\u00a0\/\u00a0(0\u201953\u00a0–\u00a02019)\u00a0\/ Pierre Yves Clouin<\/strong>\u00a0(France)
          Val<\/em>\u00a0(2\u2019 – 2021) \/\u00a0Milan Zulic<\/strong>\u00a0(Switzerland)
          By The Sea<\/em>\u00a0(4\u201925 – 2021)\u00a0\/\u00a0Zlatko \u0106osi\u0107\u00a0<\/strong>(USA)
          Corrida urbaine<\/em>\u00a0<\/strong>(3’15 \u2013 2008) \/ Marc Mercier<\/strong>\u00a0(France) <\/p>\n\n\n\n

          • \"\"
            Cristina Amiran & Khalil Charif<\/strong> (Brazil)<\/figcaption><\/figure><\/li>
          • \"\"
            Pierre Yves Clouin <\/strong>(France)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

            <\/p>\n\n\n\n

            <\/p>\n\n\n\n

            04.15pm<\/span> (47\u2019) \u2013 The danse of progress and of disaster <\/strong>
            Sabotage<\/em> (2\u201934 – 2021) \/ Jean-Michel Rolland <\/strong>(France)
            The International <\/em>(2\u201935 – 2017) \/ Ali Zare Ghanatnowi <\/strong>(Iran)
            La chute de la bureaucratie<\/em> (4\u2019 – 2017) Maximilien Ramoul <\/strong>(France)
            Male Gaze<\/em> (7\u201940 \u2013 2020) \/ Virginie Foloppe<\/strong> (France)
            La mont\u00e9e des eaux<\/em> (30\u2019 – 2021) \/ Sylvain Tanquerel & Katrin Backes<\/strong> (France) <\/p>\n\n\n\n

            • \"\"<\/figure><\/li>
            • \"\"
              Ali Zare Ghanatnowi <\/strong>(Iran)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n



              05.00pm<\/span> <\/strong>PARTI PRIS suite enfin <\/em>(34\u2019 – 2019\/2020) \/ <\/strong>Guido Carnaval, from video excerpts by Guido\u2019Lu <\/strong>and drawings by Cerise<\/strong> (Belgium)
              In the presence of the directors.<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n

              <\/p>\n\n\n\n

              <\/p>\n\n\n\n

              06.00pm<\/span> (Tour 5th<\/sup> floor) \u2013 Opening of the exhibition \u201cAvis de passages\u201d<\/strong> 07.00pm<\/span><\/strong>  Richard Skryzak<\/strong> will read a poem in front of his fresco of desire.
              Poetic action by Julien Blaine <\/strong> <\/p>\n\n\n\n

              06.02pm and 07.02pm<\/span><\/strong> Taxi Dream \u2013 an escapade with the <\/em>Collective Ornic\u2019art<\/strong>
              What if the collective dream opens new paths for the worlds of tomorrow. The performance offers to dream together in Holy\u2019s car.
              Duration 1 hour.  Limited to 8 persons maximum.
              Reservation is required<\/span>: communication.ornicart@gmail.com .
              More informations : 0658021825 <\/p>\n\n\n\n

              09.00pm<\/span> – A tribute to Michele Sambin<\/strong>
              Pi\u00f9 de la vit\u00e0 <\/em>(73\u201916 – 2020) \/ Raffaella Rivi<\/strong>, with Michele Sambin and Pierangela Allegro (Italy), in the presence of the director. 
              Followed by an encounter with Michele Sambin.  <\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n

              <\/p>\n\n\n\n

              SATURDAY, NOVEMBER 13<\/strong> <\/h1>\n\n\n\n

              02.01pm<\/span> \u2013 How to build a video art festival without loosing ground <\/strong>
              Le manque partag\u00e9<\/em> <\/strong>(5\u201925 \u2013 2021) \/ Jisu Lee <\/strong>(Cor\u00e9e du Sud \/ France)
              The legs of the chair <\/em>(5\u201925) \/ a performance by Marc Mercier<\/strong> <\/p>\n\n\n\n

              02.15pm<\/span> (40\u2019) \u2013 How to film the passages on the fly? <\/strong>
              Will (a love story) <\/em>(4\u201915 – 2021) \/<\/strong> Laurel Beckman <\/strong>(USA)
              Boogie Stomp Pink<\/em> (3\u201934) \/ Stuart Pound <\/strong>(GB)
              Un go\u00fbt d\u2019encre dans la bouche \u2013 l\u2019Incise du mimosa <\/em>(12\u201927 – 2021) \/ Pascale Pilloni<\/strong> (France)
              Venus \/ Starry Lover<\/em> (3\u201930) \/ Vivian Giourousis<\/strong> (USA)
              Des – ail\u00e9s<\/em> (11\u201936 – 2021) \/ Pierre Carrelet <\/strong>(France)
              For\u00eat profonde <\/em>(4\u2019 – 2021) Francis Dhomont <\/strong>(France) (pi\u00e8ce sonore)<\/p>\n\n\n\n

              03.15pm<\/span>  <\/strong>
              Nobody No one and Nothing<\/em> (6\u201934 \u2013 2021) \/ Virginie Foloppe <\/strong>(France)
              69 <\/em>(8\u201910 \u2013 1969\/2021) \/ Marcos Bonisson <\/strong>(Brazil)
              entrEEspecies<\/em> (9\u201916 \u2013 2021) \/ Laura y Sira Cabrera Diaz <\/strong>(Spain)
              Join The Herd<\/em> (1\u201917 – 2020) \/ Pierre Yves Clouin <\/strong>(France)
              The Beautiful Fish<\/em> (4\u201931 \u2013 2019) \/ Marianne Strapatsakis <\/strong>(Greece)
              Scum Mutation<\/em> (10\u2019 – 2020) \/ OV<\/strong> (France) <\/p>\n\n\n\n

              • \"\"
                OV<\/strong> (France)<\/figcaption><\/figure><\/li>
              • \"\"
                Marianne Strapatsakis <\/strong>(Greece)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

                <\/p>\n\n\n\n

                04.00pm<\/span> <\/strong>(40\u2019) –  Who and what are we the image of?<\/strong>
                En lo profundo de la piel<\/em> (5\u201925 \u2013 2021) \/ \u00darsula San Crist\u00f3bal<\/strong> (Spain) L\u2019enl\u00e8vement de Sabine<\/em> (4\u2019 – 2020) \/ Yamina Djarir <\/strong>(France)
                But the spasm is chaosmic, suite op.9<\/em> (7\u201924 – 2020 ) \/ Lydia Miligkou <\/strong>(Greece) Inconsolable<\/em> (3\u201948 \u2013 2021) \/ Michel Pavlou <\/strong>(France)
                The Equilibrists<\/em> (5\u201908 \u2013 2020) \/ Jayne Wilson<\/strong> (GB)
                Paso Galope<\/em> (7\u201921 – 2014\/18) \/ Carolina Saquel<\/strong> (Chile – France) 
                Amis de la sagesse<\/em> (3\u201918 \u2013 2020) \/ Fr\u00e9d\u00e9rick Belzile<\/strong> (Quebec \u2013 Canada)
                Feu<\/em> (7\u2019 – 2020) \/ Linda Tuloup<\/strong> (France) <\/p>\n\n\n\n

                05.00pm<\/span> – Of the  boundless <\/em><\/strong>
                S\u2019il en reste une, c\u2019est la foudre <\/em>(37\u2019 – 2016) \/ Marie Alberto Jeanjacques <\/strong>(France)  A filmed encounter with Annie Le Brun, poet and contemporary essayist.  <\/p>\n\n\n\n

                05.45pm<\/span><\/strong> Death, life is stalking you! <\/em>(Video poem in quest of the beauty of a boundless gesture) (78\u2019 – 2020) \/ Pierre Carrelet & Marc Mercier<\/strong> (France) Lectures : G\u00e9rard Lacombe, Pascale Pilloni, Gilbert Tra\u00efna, Chantal Maire, Capucine Carrelet, Marc Mercier & Pierre Carrelet<\/strong>
                Opening to the<\/em> Drafts <\/em>(6\u201922) – Draft<\/em> 1: The light <\/em>(5\u201925) – Draft<\/em> 2: The break-in<\/em> (7\u201939) – Draft<\/em> 3: The invention of the colour black<\/em> (4\u201935) – Draft<\/em> 4: The masks <\/em>(5\u201909) – Draft<\/em> 5: The muses<\/em> (5\u201917) – Draft<\/em> 6: The desire (7\u201913) \/ Vid\u00e9o : Pink Floyd in Pomp\u00e9\u00ef.- Draft<\/em>  : The human condition  (8\u201957) \/ Vid\u00e9o : Pierre Carrelet – Draft<\/em> 8: The bodies (10\u201959) – Draft<\/em> 9: Wandering lines<\/em> (7\u201907) – Draft<\/em> 10: The beauty (4\u201922) – Epilogue of the Drafts, not to end it all <\/em>(4\u201944)<\/p>\n\n\n\n

                • \"\"<\/figure><\/li>
                • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

                  <\/p>\n\n\n\n

                  07.15pm<\/span> \u2013 Tasty interlude in Cabaret d\u2019Omar <\/strong>
                  Drink! for you know not whence you came nor why: drink! for you know not why you go, nor where. <\/em><\/p>\n\n\n\n

                  07.17pm<\/span> Taxi Dream<\/em> \u2013 an escapade with the Collective Ornic\u2019art<\/strong>
                  What if the collective dream opens new paths for the worlds of tomorrow. The performance offers to dream together in Holy\u2019s car.
                  Duration 1 hour.  Limited to 8 persons maximum.
                  Reservation is required<\/span>: communication.ornicart@gmail.com 
                  More informations : 0658021825 <\/p>\n\n\n\n

                  08.45pm <\/strong>\u2013 A film for an opening, dedicated to all those who have not yet renounced their right to bear wings.<\/strong>
                  Common Birds<\/em> <\/strong>(84\u2019 – 2020) \/ Silvia Maglioni & Graeme Thomson <\/strong>(Italy \/ GB \/ France) In presence of the film makers  <\/span><\/p>\n\n\n\n

                  \"\"
                  Silvia Maglioni & Graeme Thomson <\/strong>(Italy \/ GB \/ France)<\/figcaption><\/figure>\n\n\n\n

                  10.10pm<\/span> – To pass down <\/strong>
                  In 1990, Jean-Paul Fargier made the film Play it again Nam \u00bb (a portrait of Nam June Paik)<\/em>. After that, Paik offered his outfit to Jean-Paul. In 2013, for the celebration of the 50 anniversary of video arts, Jean-Paul offered me the costume. I immediately told myself that I would pass on the torch to someone I kept secret up to now. It is now his\/her turn to keep the poetic flame of video arts through thick and thin. And when time comes, (s)he will have the responsibility to hand it over. <\/p>\n\n\n\n

                  10.20pm<\/span> -A robotic performance<\/strong>
                  THE CLUSTERs (<\/em>2020) \/ Naoyuki Tanaka<\/strong> (Japan \/ France) <\/p>\n\n\n\n

                  • \"\"<\/figure><\/li>
                  • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

                    <\/p>\n\n\n\n

                    Video screening booth<\/strong> <\/h1>\n\n\n\n

                    TV set 1)<\/span> Do Not Disturb <\/em>(2021) \/ Collectif Ornic\u2019art<\/strong> (France)
                    Web series in 8 episodes  <\/p>\n\n\n\n

                    TV set 2)<\/span> The 25 birthday of the Festival Video Bardo (Buenos Aires \/ Argentina)<\/strong> – Resident of the port city<\/strong> <\/em>prepared by Javier Robledo<\/strong> & Marissol Bellusci<\/strong>
                    \u0422\u044c\u043c\u0430 \u0422\u0435\u043c 7<\/em> (Dark Myriad 7) (2\u201950 \u2013 2020) \/ Eta Dahlia <\/strong>(Russia \u2013 GB)
                    Fog Horns<\/em> (6\u201919 \u2013 2020) \/ Ebba Jahn<\/strong> (Germany)
                    Recuerdo de mar <\/em>(5\u201918 \u2013 2019) \/ Estefania D\u00edaz y Carlos Cruz<\/strong> (Mexico)
                    Me convert\u00ed en una isla<\/em> (4\u201930 \u2013 2021) \/ Josefina Tai<\/strong> (Ta\u00efwan \u2013 Argentina)
                    La boca<\/em> (7\u201938 \u2013 2020) \/ Luciana Rizzo<\/strong> (Argentina)
                    Moments<\/em> (6\u201910 \u2013 2019) \/ Susanne Wiegner<\/strong> (Germany)
                    Interference<\/em> (7\u201951 \u2013 2016) \/ Methas Chantawongs <\/strong>(Tha\u00efland) 
                    Am\u00e9rica Imaginaria – Films did\u00e1cticos <\/em>2 (4\u201924 \u2013 2021) \/ Marisol Bellusci <\/strong>(Argentina)
                    Concierto para mar <\/em>(3\u201914 \u2013 2018) \/ Javier Robledo <\/strong>(Argentina)
                    Signum<\/em> (33\u201935 \u2013 2018) \/ Verena Stenke & Andrea Pagnes<\/strong> (Germnay – Italy)<\/p>\n\n\n\n

                    TV set 3)<\/span> The 50 birthday of Vid\u00e9ographe (Montr\u00e9al \/ Quebec) <\/strong>Performances for one screen <\/strong><\/em>
                    Infraduction <\/strong>(7\u2019 – 1982) \/ <\/strong>Monty Cantsin (Canada)
                    Oh la la du narratif <\/strong>(14\u2019 – 1997) \/ Sylvie Lalibert\u00e9 (Canada)
                    Rut<\/strong> (1998 \u2013 3\u2019) \/ Yudi Sewraj (Canada)
                    Emporium <\/strong>(11\u2019 – 1999) \/ Nathalie Bujold (Canada)
                    12 hours<\/strong> (8\u2019 – 2001) \/ Rachel Echenberg (Canada)
                    Streets actions<\/strong> (6\u2019 – 1977) \/ Marshalore (Canada)
                    Vampire domestique<\/strong> (8\u2019 – 2016) \/ Sylvanie Tendron (France – Canada) <\/p>\n\n\n\n


                    TV set 4)<\/span> AllArtNow (Syria\/Sweden)<\/strong> presented by Abir Boukhari<\/strong>
                    Attempt to disappear <\/em> ( 5.28\u2019 – 2021) \/ Anna Ill <\/strong>(Spain-UK)
                    Inner Galaxy <\/em> ( 4.4 4\u2019 \u2013  2021 ) \/ Anna L\u00f3pez Luna <\/strong>(Spain-France)  &  Mounir Gouri (Algeria-France)
                    Birds of the Gasp\u00e9sie (as well as one seal and one snack) <\/em>( 2021) \/  Chantal Rousseau<\/strong> (Canada) 
                    I Love Me <\/em> ( 2.56\u2019 \u2013 2021 ) \/  Felice Hapetzeder <\/strong>(Sweden)
                    Three moons appear from three holes in the window<\/em>   ( 4.40\u2019 \u2013 2021) \/  Muhammad Ali <\/strong>(Syria-Sweden)
                    We are Breathing Again <\/em> ( 2.11\u20192020 ) \/  Katarina Eismann<\/strong> (Sweden)
                    Still Presence <\/em> ( 05.14\u2019 \u2013 2021) \/  Tracy Peters <\/strong>(Canada) <\/p>\n","protected":false},"excerpt":{"rendered":"

                    November, 10 to 13, 2021 – Friche la Belle de Mai, la Cartonnerie AVIS DE PASSAGE WEDNESDAY, NOVEMBER 10 1891, death […]<\/p>\n","protected":false},"author":9,"featured_media":7047,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[186,32],"tags":[],"class_list":["post-7016","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2021-en","category-non-classe-en"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts\/7016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/comments?post=7016"}],"version-history":[{"count":42,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts\/7016\/revisions"}],"predecessor-version":[{"id":7315,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts\/7016\/revisions\/7315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/7047"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=7016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/categories?post=7016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/tags?post=7016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}