Each atelier is inspired by a poetic thematic:<\/p>\n\n\n\n
- \n
- in 2017, When the stranger comes<\/em>, from a poem by Yannis Ritsos.<\/li>\n\n\n\n
- in 2019, Since the world is made this way, our dreams must be even more tenacious<\/em> by Abdelatif La\u00e2bi<\/li>\n\n\n\n
- in 2020, The beauty of a boundless gesture<\/em>, from the writtings by Annie Lebrun<\/li>\n\n\n\n
- in 2022, While the fields are burning<\/em>, by the rock band Niagara<\/li>\n\n\n\n
- in 2024, Waking up is not enough to become a butterfly<\/em> by Rupi Kaur<\/li>\n<\/ul>\n\n\n\n
<\/div>\n\n\n\nThey might say<\/strong><\/h3>\n\n\n\n
Of course, we don\u2019t belong to the arts and culture community, we don\u2019t have the adequate language, our experience is very new. But we are standing up for the right to be in front of you today to defend our choices. We are proud of our collective work, even if we do completely understand that some of you may not agree with it. But then, it is your turn to explain why.<\/em><\/p>\n\n\n\n
<\/div>\n\n\n\nVideo art, imagination at the helm<\/strong><\/h3>\n\n\n\n
We all have (more or less) a television or film culture, we all can express a \u201cI like\u201d or \u201cI don\u2019t like\u201d. Video art works, experimental and\/or poetical forms are open to sensitive and intellectual experiences, and rely on the intelligence of everyone.<\/p>\n\n\n\n
- \n
- the usual standards to evaluate the quality or the interest of the films cannot be applied; the themes, the content of the works (that famous \u201cwhat is it all about\u201d) is closely connected to the form, as it is for a poem, and therefor we have to grasp the images in all their language complexity.<\/li>\n\n\n\n
- the form is as important as the content, it give space to those who are not comfortable with the (french) language; <\/li>\n\n\n\n
- there are multiple levels of lecture of a video artwork, one can enter it with the thematic, another one with its rhythm and its colours, with the gestures or the originality of the editing …<\/li>\n\n\n\n
- the polysemy of the works (all the messages are not explicit) is an invitation to free interpretations, to mutual listening, to personal speeches. <\/li>\n<\/ul>\n\n\n\n<\/div>\n\n\n\n
A keystone, <\/strong>the partnership<\/strong><\/h3>\n\n\n\n
The encounter of these two professional fields (social & culture) cannot be taken for granted. To imagine a new way of working together, it was necessary to meet, to listen to each other, to become tame, and over the years and the sharing of experiences, the project Les Programm\u2019actors <\/em>arouse taking into account the desires and realities of all. Let us remind that the project was born from the will of social organisation to go deeper in the relationship with Instants Vid\u00e9o.<\/p>\n\n\n\n
We must also underline that the four partner associations are supporting social workers involvement during the whole project, that is to say at least 13 professionals take part in the experience just like the \u201cusers\u201d of their associations.<\/p>\n\n\n\n
ADPEI<\/a><\/strong><\/em> a non-profit association working since 1987 in the field of social and solidarity economy, with persons in a social distress.<\/p>\n\n\n\n
SARA<\/strong><\/em> Logisol<\/strong> <\/a>main goal is to struggle against poverty, distress and social exclusion. Its social activity is wide (social emergency, accommodation, employment…) and can be in direction of families, asylum seekers, refugees, homeless… <\/p>\n\n\n\n
ANEF Provence <\/a><\/strong>(Association Nationale d\u2019Entraide F\u00e9minine) founded in 1959 seeks, without any political or confessional bias, to work towards protection, education, social and professional inclusion of persons (children, teenagers, adults) at risk of moral, physical danger or victims of exclusion.<\/p>\n\n\n\n
- in 2019, Since the world is made this way, our dreams must be even more tenacious<\/em> by Abdelatif La\u00e2bi<\/li>\n\n\n\n
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