{"id":3712,"date":"2018-10-13T22:26:45","date_gmt":"2018-10-13T21:26:45","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?p=3712"},"modified":"2018-11-15T11:44:51","modified_gmt":"2018-11-15T10:44:51","slug":"day-to-day-program","status":"publish","type":"post","link":"https:\/\/www.instantsvideo.com\/blog\/en\/2018\/10\/day-to-day-program\/","title":{"rendered":"Day to day program"},"content":{"rendered":"

TO ARM! PLANETIZ<\/em><\/strong>ENS<\/strong><\/em><\/p>\n

WEDNESDAY, NOVEMBER 7
\nAssociation d’Aide aux Jeunes Travailleurs (AAJT<\/span>) 3 rue Palestro, 13003 Marseille<\/h1>\n

AAJT<\/a><\/span> belongs to the movement called \u201cPopular Education\u201d, and working in direction of young underprivileged workers. Time going, they followed the changing of situation of youth, more and more in the margins or in precarious situations, out of work, weaken by the dismantling of the suburbs, and with health fragilities. From the eighties, AAJT stated to increase the welcome of young migrants. Today, these persons are in majority in AAJT.<\/p>\n

3.30 \/ 5.30pm The multiple images of the stranger and strangeness (stereotypes and representations)<\/strong> \u2013 Discussion and screening
\nEuropa<\/em> (7\u201920 \u2013 2018) \/ Sonia Winter (France)
\nMediterraneo<\/em> (2\u2019 – 2017) \/ Mauro Rescigno (Italy)
\nL’impasse du bout du monde<\/em> (3\u201945 – 2016) \/ Manuel Hanot (Belgium)
\nRefugees are Welcome<\/em> (3\u201907 \u2013 2017) \/ Shivkumar K V (India)
\nM\u00e9moire de la Terre<\/em> (12\u201950 \u2013 2017) \/ Samira Badran (Palestine \u2013 Spain)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Mediterraneo<\/em> (2\u2019 – 2017) \/ Mauro Rescigno (Italy)<\/figcaption><\/figure>\n

 <\/p>\n

5.30 to 7pm Vernissage<\/strong>
\nVideo installation: No human is legal<\/em> (1\u201925 \u2013 2017) \/ Hamza Kirbas (Turkey)
\nScreening program in loop:
\nHuman<\/em> (0\u201957 \u2013 2018) \/ Ahsen Tabak & Selen S\u00f6zber (Turkey)
\nKalk<\/em> ( Up ) (3 days \u2013 2018) \/ Satuk Bugra Yildirim (Turkey)
\nEven The Birds Know It<\/em> (3\u2019 – 2017) \/ Rachel Cosic & Zlatko Cosic (Yougoslavia \/ USA)
\nFlying to Nowhere<\/em> (1\u201914 \u2013 2017) \/ Matthew Lancit (Canada)
\nEn bleu, blanc et rouge<\/em> (4\u2019- 2016) \/ Yves-Marie Mah\u00e9 (France)
\nSong N\u00b027<\/em> (4’50 \u2013 2018) \/ C\u00e9line Trouillet (France)
\nMAD !<\/em> (3\u201920 \u2013 2017) \/ Nuria Margarita Menchaca Brandan (Mexico)
\nMaula Jutt<\/em> (3\u201950 \u2013 2014) \/ Haider Ali Jan (Pakistan)
\nPresque invisible [Deux po\u00e8mes pour la Syrie]<\/em> (10\u2019 – 2018) \/ Lisi Prada (Spain)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Even The Birds Know It<\/em> (3\u2019 – 2017) \/ Rachel Cosic & Zlatko Cosic (Yougoslavia \/ USA)<\/figcaption><\/figure>\n

 <\/p>\n

THURSDAY, NOVEMBER 8
\nService d\u2019Accueil et de R\u00e9insertion des Adultes (SARA<\/span>)
\n54a rue de Crim\u00e9e 13003 Marseille<\/h1>\n

For more than 20 years SARA<\/a><\/span> has been struggling against poverty, precarity and social exclusion. Its field of activities is large (social emergency, sheltering, social and professional support…) and in direction of families, refugees, homeless….<\/p>\n

4 to 5pm Opening<\/strong> of installations
\nI choose not to<\/em> (2\u2019 – 2017) \/ Jola Kudela aka YOLA (Poland \u2013 GB)
\nSans toi(t)<\/em> (10\u201911 \u2013 2016) \/ Franck Oddoz-Mazet (France)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I choose not to<\/em> (2\u2019 – 2017) \/ Jola Kudela aka YOLA (Poland \u2013 GB)<\/figcaption><\/figure>\n

 <\/p>\n

THURSDAY, NOVEMBER 8
\nAssociation D\u00e9partementale pour l\u2019Emploi Interm\u00e9diaire (ADPEI<\/span>)
\n18 boulevard Flammarion 13001 Marseille<\/h1>\n

ADPEI has been a main actor of social and solidarity economy in Marseille for more than 30 years, working in direction of persons in a social precariousness.<\/p>\n

2 to 3.30pm: Screening and sharing of ideas<\/strong><\/p>\n

5.30pm Opening<\/strong>
\nLa limite \u00e9lastique<\/em> (14\u2019 – 2017) \/ Pasty (France)
\nNight Clerk<\/em> (1\u201935 \u2013 2017) \/ Damon Mohl (USA)
\nL\u00b4Usine<\/em> (3\u201944 \u2013 2017) \/ Isabel P\u00e9rez del Pulgar (Spain \u2013 France)
\nLe temps est hors de ses gonds<\/em> (7\u201909 \u2013 2018) \/ Bernard Obadia (France)<\/p>\n

 <\/p>\n

FRICHE<\/a> LA BELLE DE MAI\u00a0<\/span><\/h1>\n

FRIDAY, NOVEMBER 9
\nACT 1 – THE OPENINGS EVENING
\n(towards new possibles)<\/h1>\n

6pm\u00a0<\/strong>(Gallery Salle des Machines & Tour Panorama level 3) –\u00a0Opening of the video exhibitions<\/p>\n

6pm<\/strong>\u00a0A tribune to the pionnier of video art: Global Groove<\/em> (1973) \/ Nam June Paik<\/strong> (Corea) presented in the Pop-up bus of \u00a0Art-Cade Gallery, in the frame of the project Marseille Tours D\u00e9tours<\/em> in partnership with\u00a0Collectif DEUX bis<\/a>.<\/span><\/p>\n

8.01pm to 12pm<\/strong> (Grand Plateau)
\nScreenings, performances and an opera
\nThe art works will be accompanied by Act 1 of the \u201cthreepenny opera in 3 days, 3 acts<\/strong>
\nWith open discussions, sounds, images & bodies and A red-and-black major\u201d by Marc Mercier et Samuel Bester\u00a0:
\n8.05pm\u00a0: \u00ab\u00a0Prelude\u00a0\u00bb<\/strong>
\n8.15pm\u00a0: scene 1) \u00ab\u00a0Anthropocene appears on the scene \u00bb<\/strong>, with the world premiere
\n#MemoryoftheUniverse | Bayesian Poisoning<\/em><\/strong>, a collaborative performance by Alysse Stepanian, Philip Mantione & Mallory Fabian (USA).
\n9.30pm\u00a0: scene 2) \u00ab\u00a0The rise of a desire \u00a0\u00bb<\/strong>
\n9.45pm\u00a0: scene 3) \u00ab\u00a0Bread and roses \u00a0\u00bb<\/strong>
\n10.30pm\u00a0: scene 4) \u00ab\u00a0Breaking the silence\u00bb<\/strong>
\n11.15pm\u00a0: scene 5) \u00ab\u00a0The time of the Metamorphoses\u00bb<\/strong>
\nVideo by\u00a0: Jacques Willemont & Pierre Bonneau (France), Judith Lesur (France), Alice Guy (France), Chantal Akerman (Belgium), Virginie Foloppe (France), Bahar B Faraz (Iran), Francesca Lolli (Italy), Charles Pennequin (France), Jean-Gabriel P\u00e9riot (France), Marie-Paule Bilger (France), Esmeralda da Costa (Portugal), Adam Bales & Paul Ingram (GB), Collective Abou Naddara (Syria), The Unit (GB), Samuel Bester (France), Dana Dal Bo (Canada), Khadija El Abyad (Morocco), Mich\u00e8le Waquant (Canada \u2013 France)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 R\u00e9volu<\/em> \u00a0(0\u201940 – 2018) \/ Judith Lesur (France)<\/figcaption><\/figure>\n

 <\/p>\n

SATURDAY, NOVEMBER 10
\nAct 2 of the three penny opera in 3 days, 3 acts…<\/h1>\n

2.02pm – Abstract of act I<\/strong><\/p>\n

Act II<\/strong>
\n2.09pm\u00a0 Scene 1) On the misery of artistic life colonised by digital and neoliberal culture<\/strong>:
\na consideration of its political and sexual aspects and of a few poetical ways to overcome it.
\n9 video by Juergen Trautwein (Germany \/ USA), Bernard Obadia (France), Ewan Golder (GB \/ France), Patricio Ballesteros Ledesma (Argentina), Esmeralda da Costa (Portugal \/ France), Lee Lo-Yi (Ta\u00efwan), Rocco Scaranello (France), Khalil Charif (Brazil), Gerald Habarth (USA).<\/p>\n

3.16pm\u00a0: scene 2) Harpoon & art-as-a-bridge<\/strong>
\n5 video by Michel Humeau (France), Niko (France), Andy Ferr\u00e9 (France), Yves-Marie Mah\u00e9 (France), Boris du Boullay (France).<\/p>\n

4.03pm\u00a0: scene 3) When the stranger comes<\/strong>
\n12 video by David Finkelstein (USA), Ma\u00efa Izzo (France), Christin Bolewski (Germany), khalil N (Lebanon), Yves-Marie Mah\u00e9 (France), Samira Badran (Palestine \/ Spain), Alice Fargier (France), In\u00e9s Wickmann (Colombia \/ France), Laura & Sira Cabrera (Spain), Bob Kohn (France), Judith Lesur (France), Silvia de Gennaro (Italy).<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Travel note books : Marseille, France<\/em> (2018) \/Silvia de Gennaro (Italy)<\/figcaption><\/figure>\n

 <\/p>\n

6.01pm\u00a0: Scene 4) A world boundlessly open to questions<\/strong>
\n5 video by Michel Pavlou (Greece \/ Belgique), Ana Clara & Clara Molinari (Brazil \/ Italy), Emmanuelle Bayart & Timo Kirez (France \/ Germany), Di Hu (China\/ Irlande), Cl\u00e9ment Beraud (France).<\/p>\n

7.27pm Break time<\/strong><\/p>\n

9.01 to 11.04pm<\/strong>
\nScene 5) Sextr\u00d8\u00d8pia, a cybersexual smartcity<\/em> \/ Yann Minh (France)<\/strong>
\nAn immersive conference in the NooMuseum<\/p>\n

 <\/p>\n

SUNDAY, NOVEMBER 11
\nAct 3 of the three penny opera in 3 days, 3 acts\u2026\u00a0Les Instants Vid\u00e9o weave with Africa F\u00eate<\/strong> – Africa \/ Video Art \/ Music<\/h1>\n

10.02am<\/strong>
\nWhen all of us will learn in the language of others the world welcome!
\nWelcome \/ Bienvenido \/ Willkommen \/ Benvenuto \/ Bem vido \/ Bun venit \/ I mir\u00ebpritur \/ Akeyi \/ Selamat datang \/ Barka \/ Bix\u00earhatin \/ Nau mai \/ Xush kelibsiz \/ wilujeung sumping kar\u015f\u0131lama \/ Wamukelekile \/ Dalal-j\u00e0mm\u2026<\/p>\n

Prelude: From the happy rise of 1968 to the drowning of the people in exile in 2018!<\/strong><\/p>\n

10.14am Boarding<\/strong>
\nScreening : Jusqu\u2019au bout (40\u2019 – 1973) \/ A collectif film (France)<\/p>\n

11.03am Histories of Africa F\u00eate Festival<\/a><\/span><\/strong>
\nWith Jacques Soncin (journalist, a friend of Mamadou Kont\u00e9, founding member of free independant radio stations in France and in Africa), C\u00e9cile Rata (Manager of Africa F\u00eate), Michel Lepoitevin ( a friend of Mamadou Kont\u00e9 and co-secretary of the association Solidaires 13).<\/p>\n

12.27 Pause<\/strong>
\nLet\u2019s all bring along the food we want to share with the others.<\/strong><\/p>\n

2.01pm Screening towards the future<\/strong>
\n5 Video by Alain Castan (France), Jean-Denis Bonan, Mireille Abramovici & Caroline Biri (France), Kheraba Traore (S\u00e9n\u00e9gal), Abdoul-Ganiou Dermani (Togo), Michel Digout (France).<\/p>\n

3.03pm Stories: Marseilles \/ Immigrations \/ Struggles of yesterday and today
\n<\/strong>Discussion with Jacques Soncin, Liliana Nasser, Samy Johsua, Alain Castan (co-founder of Transit Librairie), Etienne Chomarat (activist in the association Survie since 2008 \u00a0and committed in different collectives from Popular Education and international solidarity)…<\/p>\n

4.28pm Let\u2019s the bodies talk<\/strong> (screenings)
\n2 video by Khadija El Abyad (Morocco), Steven Cohen (South Africa)<\/p>\n

 <\/p>\n

\"\"<\/a>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Abattoir<\/em> (14\u201950 \u2013 2017) \/ Steven Cohen \u00a0(South Africa)<\/figcaption><\/figure>\n

 <\/p>\n

5.03pm The body talks<\/strong> (performance)
\nD\u00e9coquillons nous !<\/strong> <\/em>(around 15\u2019 – 2018) \/ Nelson Niyakire (Burundi) and 3 friends<\/p>\n

5.44pm \u00a0To project where we stand, where we live, where we love<\/strong>
\n3 video by Muhammad Taymour (Egypt), Mounir Fatmi (Morocco), Jason Bernagozzi (USA)<\/p>\n

6.27pm Putting an end to slavery <\/strong>
\nComme une hache dans la mer gel\u00e9e<\/em> (4\u201945 – 2018) \/ Michel Digout (France)
\nLike dolls I’ll rise (<\/em>28\u201935 \u2013 2018) \/ Nora Philippe (France)<\/p>\n

7.09pm Pause<\/strong><\/p>\n

8.32pm Highlights on Africa F\u00eate<\/strong>
\nWorld musics are music from here and there
\nPresentation of the 2nd price of Musique d\u2019ici, with Bernard Guinard<\/strong> manager of FAMDT<\/p>\n

8.43pm Afro-pop-electro concert<\/strong>
\nGermaine Kobo & Bella Lawson<\/strong> (artists from Marseilles and finalists from the price Musiques d\u2019Ici)<\/p>\n

\"\"
Germaine Kobo & Bella Lawson<\/figcaption><\/figure>\n

 <\/p>\n

FRIDAY, NOVEMBER 16 (7pm)
\nLa Machine Pneumatique <\/span>Traverse du Regali, Marseille 13016<\/h1>\n

Screening and encounter<\/strong>
\nIs it a true story telling?\u00a0<\/strong><\/em>(42\u2019 – 2017) \/ Clio Simon (France)<\/p>\n

Acoustic sound creation<\/strong> in presence of the artist
\nLoup<\/em><\/strong>\u00a0(15\u2019 – 2018) \/ Sophie-Charlotte Gautier (France)<\/p>\n

 <\/p>\n

TUESDAY, NOVEMBER 20
\nVid\u00e9odrome 2<\/span> – 49 cours Julien, Marseille 13006<\/h1>\n

Videodrome 2<\/a> <\/span>is at first a project born from the desire to meet, to exchange and to experiment. The programming of the cinema is the result of a work in common with multiple partners, either professionals or not that gathered in a collective of programming.<\/p>\n

6.30pm \u00a0Noise and visual un-disturbance<\/strong>
\n10 Vid\u00e9o de Alexandra Montsaingeon (France), Susanne Wiegner (Germany), Alexandre Erre (France), Rojin Shafiei (Iran), M\u00e9lodie Drissia Tabita (Morocco \u2013 France), Oliver Pietsch (Germany), Parul Bouvart (India), Daniel H. Dugas (Canada), Pauline Laurent (France)<\/p>\n

8.30pm \u00a0A watchful eye and hearing<\/strong>
\n3 Vid\u00e9o de Ga\u00ebtan Trovato (France), Fr\u00e9d\u00e9ric Hainaut (Belgium), Yves-Marie Mah\u00e9 (France)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La chanson politique de Colette Magny<\/em> (32\u2019 – 2017) \/ Yves-Marie Mah\u00e9 (France)<\/figcaption><\/figure>\n

 <\/p>\n

OUR BEAUTIFUL ESCAPES<\/span><\/h1>\n

Marseille is our anchorage ground, our landing area to welcome the world and our runway to meet the elsewheres, thank to partners with whom we build poetronic constellations.<\/p>\n

FRANCE<\/span>, Puyricard<\/span> (Salle des f\u00eates, 35 avenue Jean d\u2019Orsini)
\nSaturday, october 13 (5pm)<\/h3>\n

A screening program in the frame of a day for Palestine<\/strong>, organised by the Association France-Palestine Solidarity (AFPS 04).
\nVideo by Samira Badran (Palestine), khalil N (Lebanon), Marc Mercier (France), Lucia Ahmad (Palestine), Sharif Waked (Palestine), Rania Stephan (Lebanon), Khaled Jarrar (Palestine), Bashar Alhroub (Palestine), Nahed Awwad (Palestine), Rafeef Ziadah (Palestine\/GB)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Statement<\/em> (2′ \u2013 2012) \/ Lucia Ahmad (Palestine)<\/figcaption><\/figure>\n

 <\/p>\n

Aix-en-Provence (School of art<\/a>,<\/span> Rue Emile Tavan)
\nWednesday,november 14 (6pm)<\/h3>\n

An encounter with Samuel Bester<\/strong>, preceded by a screening program by Jean-Michel Rolland (France), Cl\u00e9mence Renaud (France), Guangli Liu (China \/ France), Samuel Bester (Germany \/ France)<\/p>\n

ITALY,\u00a0Rome
\nUniversity of Architecture La Sapienza<\/span><\/a> (Aula Master,\u00a0DPTA, Via Flaminia 72)<\/h3>\n

Thursday, October 25 (4.30pm)<\/h3>\n

1968 \/ 2018 (Part 1)<\/strong>\u00a0: Video by Collectif Abou Naddara (Syria), Judith Lesur (France), Alice Fargier (France \/ Switzerland), Luigi Romani (Italy \/ France), Ana Clara & Clara Molinari (Brazil \/ Italy), Selene Citron & Luca Lunardi (Italy), Cl\u00e9mence B. T. D. Barret (France), Qin Tan (China), In\u00e9s Wickmann (Colombia \/ France), Samira Badran (Palestine \/ Spain)<\/p>\n

Friday, Octobre 26 (4.30pm)<\/strong><\/h3>\n

1968 \/ 2018 (Part 2)\u00a0<\/strong>: Alice Guy (France), Chantal Akerman (Belgium), Francesca Lolli (Italy), Virginie Foloppe (France), Bahar B Faraz (Iran \/ Sweden), Khadija El Abyad (Morocco), Dana Dal Bo (Canada), Lee Lo-Yi (Ta\u00efwan), Valentina Maz (Egypt \/ Armenia), Isabel P\u00e9rez del Pulgar (Spain \/ France), Alain Bourges (France)<\/p>\n

 <\/p>\n

\"\"
Dolorosa Mater<\/em> (3\u201914 \u2013 2017) \/ Francesca Lolli (Italy) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Clown<\/em> (3\u201929 \u2013 2017) \/ Bahar B Faraz (Iran \u2013 Sweeden)<\/figcaption><\/figure>\n

<\/h3>\n

Milan
\n[.BOX]Videoart project space<\/span> <\/a>(Via Federico Confalonieri 11)
\nNovember 9 to 29 (open Wednesday and Thursday 6.30 to 8.30pm)<\/h3>\n

Video by Marah Zoubi (Palestine), Cl\u00e9mentine Rettig (France \/ Germany), Maja Hodoscek (Slovenia), John Di Stefano (Canada), Silvia Amancei & Bogdan Armanu (Romania), Francisco Ricardo Espinosa Rossi\u00e9 (Pako) (Cuba), Shivkumar K V (India), Samira Badran (Palestine \/ Spain)<\/p>\n

\"\"
Killing Hope<\/em> (10\u201952 \u2013 2017) \/ Silvia Amancei & Bogdan Armanu (Roumania) – Belice<\/em> (6\u201945 \u2013 2018) \/ Cl\u00e9mentine Rettig (France \u2013 Germany)<\/figcaption><\/figure>\n

Visual Container TV<\/a><\/span>
\nNovember 9 to December 5 (24h\/24h)<\/h3>\n

Video by Ameer Albassri (Irak), Lena Schmidt (Germany), Katarina Balunova (Slovaquia), Richard Legaspi (Ta\u00efwan \/ Philippines), Rafael Triana (Cuba \/ France), Fran Orallo (Spain \/ GB), Showna Kim (South Korea), Nadim Choufi (Lebanon), Ahmed El Shaer (Egypt), Maxime Hot (France), Soran Ahmed (Kurd from Irak \/ Germany)<\/p>\n

ARGENTINA, Buenos Aires
\nFestival Video Bardo<\/span> \/ XXIe International Festival of Video Poetry
\nTuesday, November 20<\/h3>\n

Video by Soheil Seraji (Iran), Lobo Pasolini (Brazil), Jos\u00e9 Alejandro L\u00f3pez (Colombia), Laura del Muro (Spain), Cristi\u00e1n T\u00e0pies & Roberto Oyarz\u00fan Sus\u00f1ar (Chile), Mehdi Farajpour (Iran \/ France), \u00darsula San Crist\u00f3bal (Spain), Francesca Fini (Italy), Henry Gwiazda (USA), Sandra Crisp (GB), Mohamed A. Gawad (Egypt), Yunu\u00e9n Rosas Ortiz (Mexico)<\/p>\n

\"\"
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 TYPO#3<\/em> (6\u2019 – 2016\/17) \/ Francesca Fini (Italie)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

TO ARM! PLANETIZENS<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,32],"tags":[],"class_list":["post-3712","post","type-post","status-publish","format-standard","hentry","category-2018-en","category-non-classe-en"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts\/3712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/comments?post=3712"}],"version-history":[{"count":22,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts\/3712\/revisions"}],"predecessor-version":[{"id":3833,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/posts\/3712\/revisions\/3833"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=3712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/categories?post=3712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/tags?post=3712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}