6:30 pm<\/span> Screening
Go to the Palestinian Biennale \/si:n\/<\/h2>\n\n\n\nIn 1984, Nam June Paik<\/strong> and his partners conceived Good Morning, Mr. Orwell<\/em> (1984) to demonstrate the potential of satellite television as a medium for intercontinental cultural exchange.
In 2007, with \/si:n\/<\/strong>, a conversation began between cultural practitioners and artists from Palestine and France, united by a shared curiosity for electronic poetry and a common desire to deepen their visual explorations while sharpening an anti-colonial perspective beyond dominant narratives.
Video art opens up new territories for experimenting with the image. It brings into<\/strong> dialogue<\/strong>, sound and image, art and technology, blurring the boundaries between artwork and everyday life. It welcomes,<\/strong> intersections, displacements, and asymmetries generated as much by the medium itself as by poetry. It also turns the body into a space for both aesthetic and political exploration. Irreverent and at times distorted, it subverts conventions and invents new ways of seeing<\/strong>.<\/p>\n\n\n\n\n\nJaha !
Once upon a time\u2014eight times over\u2014the \/si:n\/ Biennale. Eight editions and sixteen years of an uninterrupted conversation.
The power of the collective, always in the making.
The strength of creation, and its persistence.
The determination to invent spaces of encounter.
Jaha !<\/p>\n<\/div>\n\n\n\n
In 2007, with \/si:n\/<\/strong>, a conversation began between cultural practitioners and artists from Palestine and France, united by a shared curiosity for electronic poetry and a common desire to deepen their visual explorations while sharpening an anti-colonial perspective beyond dominant narratives.
Video art opens up new territories for experimenting with the image. It brings into<\/strong> dialogue<\/strong>, sound and image, art and technology, blurring the boundaries between artwork and everyday life. It welcomes,<\/strong> intersections, displacements, and asymmetries generated as much by the medium itself as by poetry. It also turns the body into a space for both aesthetic and political exploration. Irreverent and at times distorted, it subverts conventions and invents new ways of seeing<\/strong>.<\/p>\n\n\n\n
Jaha !
Once upon a time\u2014eight times over\u2014the \/si:n\/ Biennale. Eight editions and sixteen years of an uninterrupted conversation.
The power of the collective, always in the making.
The strength of creation, and its persistence.
The determination to invent spaces of encounter.
Jaha !<\/p>\n<\/div>\n\n\n\n
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