{"id":17310,"date":"2026-09-12T05:26:11","date_gmt":"2026-09-12T04:26:11","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=17310"},"modified":"2026-09-12T05:27:55","modified_gmt":"2026-09-12T04:27:55","slug":"%d8%a7%d9%84%d8%ae%d8%a7%d8%b1%d8%ac%d9%8a-for-external-use","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/%d8%a7%d9%84%d8%ae%d8%a7%d8%b1%d8%ac%d9%8a-for-external-use\/","title":{"rendered":"\u0627\u0644\u062e\u0627\u0631\u062c\u064a For External Use"},"content":{"rendered":"\n

Pour l’usage externe est un film d’arr\u00eat-mouvement image par image qui examine comment l’identit\u00e9 palestinienne, la souffrance et la production artistique sont class\u00e9es, encadr\u00e9es et transform\u00e9es pour le public ext\u00e9rieur. \u00c0 l’aide de s\u00e9quences documentaires film\u00e9es \u00e0 travers la Cisjordanie et les territoires de 1948, le film rassemble des g\u00e9ographies et des exp\u00e9riences fragment\u00e9es fa\u00e7onn\u00e9es par diff\u00e9rentes r\u00e9alit\u00e9s politiques, juridiques et sociales Plut\u00f4t que de simplement documenter la r\u00e9alit\u00e9, le film intervient \u00e0 l’image elle-m\u00eame, demandant qui peut d\u00e9finir l’identit\u00e9 palestinienne, quelles formes de souffrance deviennent visibles, et ce qui est laiss\u00e9 en dehors du cadre \u00c0 travers des interventions dessin\u00e9es \u00e0 la main, des marques de surveillance, des sc\u00e8nes quotidiennes, des manifestations, des points de contr\u00f4le, des paysages et des actes de violence. Le film r\u00e9fl\u00e9chit aux hi\u00e9rarchies tacites qui \u00e9mergent entre Palestiniens en fonction de la g\u00e9ographie et des degr\u00e9s de souffrance per\u00e7us. Le titre Pour l’utilisation externe emprunte la langue trouv\u00e9e sur les produits et les emballages, o\u00f9 une \u00e9tiquette indique que quelque chose est destin\u00e9 \u00e0 \u00eatre utilis\u00e9 en dehors de son contexte d’origine. Ici, la phrase devient une m\u00e9taphore de la fa\u00e7on dont les r\u00e9alit\u00e9s palestiniennes sont reconditionn\u00e9es, traduites et rendues lisibles pour les institutions, les bailleurs de fonds, les march\u00e9s culturels et le public international. Plut\u00f4t que de simplement documenter la r\u00e9alit\u00e9, le film intervient \u00e0 l\u2019image elle-m\u00eame, demandant qui peut d\u00e9finir l\u2019identit\u00e9 palestinienne, quelles formes de souffrance deviennent visibles, et ce qui reste en dehors du cadre.<\/p>\n\n\n\n

For External Use is a frame-by-frame stop-motion film that examines how Palestinian identity, suffering, and artistic production are classified, framed, and transformed for external audiences. Using documentary footage filmed across the West Bank and the 1948 territories, the film brings together fragmented geographies and experiences shaped by different political, legal, and social realities Rather than simply documenting reality, the film intervenes in the image itself, asking who gets to define Palestinian identity, which forms of suffering become visible, and what is left outside the frame Through hand-drawn interventions ,surveillance-like markings, everyday scenes, protests, checkpoints, landscapes, and acts of violence are gradually transformed into images to be interpreted, categorized, and consumed. The film reflects on the unspoken hierarchies that emerge between Palestinians according to geography and perceived degrees of suffering. The title For External Use borrows the language found on products and packages, where a label indicates that something is intended for use outside its original context. Here, the phrase becomes a metaphor for the ways Palestinian realities are repackaged, translated, and made legible for institutions, funders, cultural markets, and international audiences. Rather than simply documenting reality, the film intervenes in the image itself, asking who gets to define Palestinian identity, which forms of suffering become visible, and what is left outside the frame.<\/em><\/p>\n\n\n\n

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