{"id":16819,"date":"2026-08-27T11:06:06","date_gmt":"2026-08-27T10:06:06","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=16819"},"modified":"2026-08-27T11:06:26","modified_gmt":"2026-08-27T10:06:26","slug":"unshipped","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/unshipped\/","title":{"rendered":"Unshipped"},"content":{"rendered":"\n

\u00ab Unshipped \u00bb constitue un cadre conceptuel et m\u00e9thodologique destin\u00e9 \u00e0 \u00e9tudier la violence contemporaine, la m\u00e9moire et les formes de r\u00e9sistance, en prenant la question palestinienne comme point de d\u00e9part pour s\u2019\u00e9tendre \u00e0 des conditions g\u00e9opolitiques et sociales plus larges. Le titre fait r\u00e9f\u00e9rence \u00e0 la fois aux cargaisons d\u2019armes qui n\u2019ont jamais \u00e9t\u00e9 livr\u00e9es, en raison du refus des dockers fran\u00e7ais et grecs de participer \u00e0 la machine de mort, et \u00e0 l\u2019aide humanitaire qui n\u2019est jamais parvenue \u00e0 Gaza, r\u00e9v\u00e9lant ainsi la violence de l\u2019abandon.<\/p>\n\n\n\n

\u201cUnshipped\u201d is a conceptual and methodological framework for studying contemporary violence, memory and forms of resistance, taking the Palestinian question as a starting point to expand to broader geopolitical and social conditions. The title refers to both the shipments of weapons that have never been delivered, due to the refusal of the French and Greek dockers to participate in the death machine, and the humanitarian aid that has never reached Gaza, thus revealing the violence of abandonment.<\/em><\/p>\n\n\n\n

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Olga Souvermezoglou <\/strong>(n\u00e9 en 1997) est une artiste visuelle et chercheuse ind\u00e9pendante bas\u00e9e en Gr\u00e8ce. Elle est dipl\u00f4m\u00e9e en 2022 du d\u00e9partement d’arts visuels de l’\u00c9cole des beaux-arts d’Ath\u00e8nes et poursuit actuellement des \u00e9tudes de troisi\u00e8me cycle dans le programme de ma\u00eetrise interdisciplinaire \u00ab\u00a0Sociologie et philosophie de l’art et de la culture\u00a0\u00bb. Au cours de ses \u00e9tudes de premier cycle, elle a particip\u00e9 \u00e0 un programme d\u2019\u00e9change Erasmus+ au d\u00e9partement des Beaux-Arts et de la Photographie de l\u2019Acad\u00e9mie Willem de Kooning (WdKA), Rotterdam, Pays-Bas. Sa pratique artistique est fond\u00e9e sur la recherche archivistique et l\u2019investigation d\u2019\u00e9v\u00e9nements historiques, de traces et de t\u00e9moignages \u00e0 travers des m\u00e9thodologies visuelles et performatives. Travaillant \u00e0 travers l\u2019installation, l\u2019image en mouvement, la photographie et les pratiques participatives, elle explore la fa\u00e7on dont les souvenirs personnels et collectifs sont construits, transmis et transform\u00e9s. Ses recherches portent sur la relation entre les archives et l\u2019exp\u00e9rience v\u00e9cue, en examinant comment les histoires orales, les documents \u00e9crits et les vestiges mat\u00e9riels peuvent g\u00e9n\u00e9rer des r\u00e9cits alternatifs et des formes de compr\u00e9hension historique. En 2022, elle a pr\u00e9sent\u00e9 son projet de dipl\u00f4me, Earthquake Diplomacy \/ Neighbour Diplomacy, une installation multim\u00e9dia enqu\u00eatant sur les tremblements de terre de 1999 en Gr\u00e8ce et en Turquie et leurs r\u00e9verb\u00e9rations sociales, culturelles et politiques, en mettant l’accent sur l’\u00e9mergence de la solidarit\u00e9 et de nouvelles formes de relations voisines \u00e0 la suite d’un traumatisme collectif. En 2023, elle a travaill\u00e9 comme coordinatrice d’\u00e9v\u00e9nements \u00e0 l’Institut europ\u00e9en de th\u00e9\u00e2tre et de cin\u00e9ma (E.T.F.I.) dans le cadre de son stage professionnel. Au cours de l’ann\u00e9e universitaire 2023-2024, elle a re\u00e7u une bourse du gouvernement indon\u00e9sien pour \u00e9tudier les arts traditionnels, en se sp\u00e9cialisant dans les pratiques de batik et de danse traditionnelle. Cette exp\u00e9rience a \u00e9largi ses recherches sur les connaissances incarn\u00e9es, la transmission culturelle et les approches non occidentales de la pratique artistique. Sa recherche artistique actuelle examine les intersections entre l\u2019art et l\u2019activisme (artivisme), les relations \u00e9cologiques entre les syst\u00e8mes humains et non humains, et la dynamique sociale de la proximit\u00e9, de la communaut\u00e9 et de l\u2019action collective. Parall\u00e8lement \u00e0 sa pratique visuelle, elle continue de d\u00e9velopper son vocabulaire performatif \u00e0 travers la formation et la recherche en pratiques de performance au Th\u00e9\u00e2tre national de Gr\u00e8ce.<\/p>\n\n\n\n

Olga Souvermezoglou <\/strong>(b. 1997) is a visual artist and independent researcher based in Greece. She graduated in 2022 from the Department of Visual Arts at the Athens School of Fine Arts and is currently pursuing postgraduate studies in the Interdisciplinary Master’s Programme \u00ab\u00a0Sociology and Philosophy of Art and Culture.\u00a0\u00bb During her undergraduate studies, she participated in an Erasmus+ exchange programme at the Fine Arts and Photography department of the Willem de Kooning Academy (WdKA), Rotterdam, the Netherlands. Her artistic practice is grounded in archival research and the investigation of historical events, traces, and testimonies through visual and performative methodologies. Working across installation, moving image, photography, and participatory practices, she explores the ways in which personal and collective memories are constructed, transmitted, and transformed. Her research focuses on the relationship between archives and lived experience, examining how oral histories, written records, and material remains can generate alternative narratives and forms of historical understanding. In 2022, she presented her diploma project, Earthquake Diplomacy \/ Neighbour Diplomacy, a multimedia installation investigating the 1999 earthquakes in Greece and Turkey and their social, cultural, and political reverberations, focusing on the emergence of solidarity and new forms of neighbouring relations following collective trauma. In 2023, she worked as an Events Coordinator at the European Theater and Film Institute (E.T.F.I.) as part of her professional internship. During the academic year 2023\u20132024, she was awarded a scholarship by the Indonesian Government to study traditional arts, specialising in batik and traditional dance practices. This experience expanded her research into embodied knowledge, cultural transmission, and non-Western approaches to artistic practice. Her current artistic research examines the intersections between art and activism (artivism), ecological relationships between human and non-human systems, and the social dynamics of proximity, community, and collective action. Alongside her visual practice, she continues to develop her performative vocabulary through training and research in performance practices at the National Theatre of Greece.<\/em><\/p>\n","protected":false},"featured_media":16820,"menu_order":14,"template":"","portfolio-category":[595],"portfolio-tag":[],"class_list":["post-16819","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-expo-friche-2026"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio\/16819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/portfolio"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/16820"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=16819"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-category?post=16819"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-tag?post=16819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}