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Oussama Tabti <\/strong>nous propose sa vision du monde \u00e0 travers son travail, celui d\u2019un jeune homme n\u00e9 \u00e0 Alger en 1988, critique de la g\u00e9opolitique herm\u00e9tique _ compos\u00e9e de fronti\u00e8res et de cultures impraticables qui se rapprochent d\u2019elles-m\u00eames. Oussama Tabti propose \u00e9galement une analyse du syst\u00e8me \u00e9ducatif dans lequel il a grandi, de l\u2019absurdit\u00e9 et de la mauvaise gestion que l\u2019on rencontre dans toutes les r\u00e9gions du pays. Il d\u00e9nonce, \u00e0 sa mani\u00e8re, la difficult\u00e9 du mouvement dans un monde globalis\u00e9 mais suspect, effray\u00e9 par l\u2019\u00e9tranger et ayant peur de la diff\u00e9rence. La question que nous pose l\u2019artiste est la suivante: le regard change-t-il lorsque le lieu change? Pour Oussama Tabti, le verdict est clair: il dit \u00abntouma\u00bb, (la forme plurielle de vous en anglais), puis se termine par \u00abla Roma*\u00bb! Partout o\u00f9 l’on vit, quoi que l’on fasse, le monde reste ferm\u00e9 et les pr\u00e9jug\u00e9s restent op\u00e9rationnels. L\u2019insouciance volontaire des masses, si elle est pr\u00e9sent\u00e9e sous d\u2019autres formes, est plus pr\u00e9sente que jamais. Toujours ind\u00e9cents, les maux du monde se r\u00e9v\u00e8lent \u00e0 nous et nous attrapent, o\u00f9 que nous allions. L\u2019artiste jette un regard engag\u00e9 qui confirme la position de Frantz Fanon, qui s\u2019est confi\u00e9: \u00ab La densit\u00e9 de l\u2019histoire ne d\u00e9termine aucune de mes actions. Je suis ma propre fondation. Et c\u2019est en d\u00e9passant l\u2019historique, l\u2019instrumental, que je vous pr\u00e9sente le cours de ma libert\u00e9 \u00bb Oussama Tabti nous prouve que pour lui, le cours a commenc\u00e9 !<\/p>\n\n\n\n Oussama Tabti<\/strong> offers us his vision of the world through his work, that of a young man born in Algiers in 1988, who is critical of hermetic geopolitics _ made up of impassable borders and cultures that close in on themselves. Oussama Tabti also proposes an analysis of the educational system in which he grew up, of the absurdity and mismanagement that encountered in every part of the country. He denounces, in his own way, the difficulty of movement in a globalised yet suspicious world, one frightened by the foreigner and afraid of difference. The question the artist asks us is this: does the gaze change when the place changes? For Oussama Tabti, the verdict is clear: he says \u201cntouma\u201d, (the plural form of you in English), then concludes with \u201cla Roma*\u201d! Wherever one lives, whatever one does, the world remains closed and prejudices remain operative. The willed mindlessness of the masses, if presented in other forms, is more present than ever. Always indecent, the evils of the world reveal themselves to us and catch us, wherever we go. The artist casts an engaged gaze that confirms the position of Frantz Fanon, who confided: \u201d The density of history determines none of my actions. I am my own foundation. And it is by going beyond the historical, the instrumental, that I introduce the course of my freedom\u201d Oussama Tabti proves to us that for him, the course has begun!<\/em><\/p>\n\n\n\n