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N\u00e9 en 1970 \u00e0 Tanger, Mounir Fatmi<\/strong> vit et travaille entre Paris et Tanger. Mounir Fatmi construit des espaces et des jeux de langage qui lib\u00e8rent tout particuli\u00e8rement la parole de ceux qui les regardent. Ses vid\u00e9os, installations, dessins, peintures ou sculptures mettent au jour nos ambigu\u00eft\u00e9s, nos doutes, nos peurs, nos d\u00e9sirs. Ils pointent l\u2019actuel de notre monde, ce qui survient dans l\u2019accident et r\u00e9v\u00e8le la structure, ils d\u00e9signent nos crit\u00e8res et nos sympt\u00f4mes. Son regard sur le monde devient notre regard : l\u2019hyper-densit\u00e9 du flux continu d\u2019informations qui nous traverse tisse un r\u00e9seau entre transparence et malentendu. Le travail de Mounir Fatmi a \u00e9t\u00e9 montr\u00e9 au Migros Museum f\u00fcr Gegenwarskunst, Z\u00fcrich, au Museum Kunst Palast, D\u00fcsseldorf, Centre Georges Pompidou, Paris, Moderna Museet, Stockholm et au Mori Art Museum de Tokyo. Il a particip\u00e9 \u00e0 la 5\u00e8me Biennale de Gwangju, Cor\u00e9e du Sud, et \u00e0 la 2\u00e8me Biennale de S\u00e9ville. En 2006, il re\u00e7oit le Grand Prix L\u00e9opold S\u00e9dar Senghor, la plus haute r\u00e9compense de la 7\u00e8me Biennale de Dakar, ainsi que le Uri\u00f4t prize de la Rijksakademie, Amsterdam. En 2007 son travail a \u00e9t\u00e9 s\u00e9lectionn\u00e9 \u00e0 la 52\u00e8me Biennale de Venise, \u00e0 la 1\u00e8re Triennale de Luanda, \u00e0 la 8\u00e8me Biennale de Sharjah ainsi qu\u2019\u00e0 la 24 \u00e8me Biennale Memorial of Nadezda Petrovic, Serbie et Balkan. En 2008, son travail a fait partie de la programmation Paradise Now ! Essential French Avant-garde Cinema 1890-2008 \u00e0 la Tate Modern de Londres. Il a particip\u00e9 \u00e0 l\u2019exposition Flow, Studio Museum de Harlem, New York et \u00e0 l\u2019exposition Traces du Sacr\u00e9 \u00e0 la Haus der Kunst, M\u00fcnich et au Centre Georges Pompidou \u00e0 Paris. En 2009, il est pr\u00e9sent \u00e0 la 10e Biennale de Lyon. En 2010, Il re\u00e7oit le prix de la Biennale du Caire. Il participe \u00e0 la premi\u00e8re exposition pan-arabe The Future of a Promise \u00e0 la 54e Biennale de Venise en 2011.<\/p>\n\n\n\n Born 1970, Tangier, Morocco, Mounir Fatmi <\/strong>lives and works in Paris, France Mounir Fatmi <\/em>constructs visual spaces and linguistic games that aim to free the viewer from their preconceptions of politics and religion, and allows them to contemplate these and other subjects in new ways. His videos, installations, drawings, paintings and sculptures bring to light our doubts, fears and desires. They directly address the current events of our world, and serve to both clarify the origins and symptoms of global issues, as well as speak to those whose lives are affected by specific events. Mounir Fatmi<\/em><\/em>‘s work has been exhibited in the Migros Museum f\u00fcr Gegenwarskunst, Z\u00fcrich, Switzerland, the Museum Kunst Palast, D\u00fcsseldorf, Germany, Centre Georges Pompidou, Paris, France, and the Mori Art Museum in Tokyo Japan. He also recently participated in the Gwangju Biennial, Korea, and the 2nd Seville Biennial, Spain. In 2006, he was awarded the Grand Prize at the 7th Dakar Biennial and Uri\u00c3\u00b4t prize, Rijksakademie van beeldende kunsten, amsterdam. His work was included in the 2007 1st Luanda Triennial in Angola, 8th biennial of Sharjah and the 52nd biennial of Venice. In 2008, he is part of the program Paradise Now! Essential French Avant-Garde Cinema 1890-2008 at the Tate Modern in London. He participates in the exhibition Flow, at the Studio Museum Harlem, in New York and at the exhibition Traces du Sacr\u00e9, at the Centre Georges Pompidou, in Paris. In 2009, he is present at the 10th Biennial of Lyon.<\/em><\/p>\n\n\n\n