{"id":16597,"date":"2026-08-18T05:04:08","date_gmt":"2026-08-18T04:04:08","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/video\/lhorizon-des-evenements\/"},"modified":"2026-09-04T14:22:08","modified_gmt":"2026-09-04T13:22:08","slug":"lhorizon-des-evenements","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/lhorizon-des-evenements\/","title":{"rendered":"Event Horizon"},"content":{"rendered":"\n

\u00ab L’Horizon des \u00e9v\u00e9nements \u00bb relate le message exprim\u00e9 par des \u00eatres du futur \u00e0 une civilisation fictive. Leurs voix \u00e9voquent une civilisation disparue, dont nous observons les traces, mais qui, \u00e9trangement, loin d\u2019\u00eatre fictive, s\u2019av\u00e8re \u00eatre la n\u00f4tre. Du moins, les id\u00e9es d\u2019un futur fantasm\u00e9 que nous aimons imaginer. Un futur que nous projetons pour notre propre civilisation. Le film \u00e9voque cette civilisation, portant les traces d\u2019\u00e9l\u00e9ments qui constituent aujourd\u2019hui notre contemporan\u00e9it\u00e9 : l\u2019International Bremen Core Repository, o\u00f9 sont conserv\u00e9es des carottes g\u00e9ologiques provenant du monde entier, nous permettant de mod\u00e9liser l\u2019avenir de notre plan\u00e8te ; L\u2019Observatoire de Haute-Provence (OHP), o\u00f9 les premi\u00e8res exoplan\u00e8tes ont \u00e9t\u00e9 d\u00e9couvertes \u2014 des plan\u00e8tes qui pourraient nous permettre de d\u00e9couvrir la vie ailleurs ; des champs d\u2019\u00e9oliennes \u2014 ces technologies cens\u00e9es rem\u00e9dier \u00e0 nos probl\u00e8mes \u00e9nerg\u00e9tiques, mais qui incarnent d\u00e9j\u00e0, \u00e0 travers les difficult\u00e9s li\u00e9es \u00e0 leur recyclage et leur production d\u2019\u00e9lectricit\u00e9 insuffisante, une forme de futur fantasm\u00e9 d\u00e9j\u00e0 en train de s\u2019\u00e9roder.
Cette civilisation est troublante, car elle nous renvoie \u00e0 nos propres fantasmes, contredits par notre r\u00e9alit\u00e9 actuelle. Le film d\u00e9veloppe ainsi l\u2019id\u00e9e de l\u2019observateur observ\u00e9, de nous-m\u00eames qui regardons et sommes \u00e0 notre tour regard\u00e9s\u2026<\/p>\n\n\n\n

\u201cEvent Horizon\u201d recounts the message sent by beings from the future to a fictitious civilization. Their voices speak of a vanished civilization whose traces we are looking at, but which strangely enough, far from being fictional, turns out to be our own. At least, the ideas of a fantasized future that we like to imagine. That we project for our own civilization. The film evokes this civilization, bearing the traces of elements that make up our contemporaneity today: the International Bremen Core Repository, where cores from all over the world are stored, enabling us to model the future of our planet; the Haute-Provence Observatory (OHP), where the first exoplanets were discovered – planets that could enable us to discover life elsewhere; fields of wind turbines – those technologies supposed to remedy our energy problems, but which already embody, through their difficult recycling and insufficient electricity production, a form of fantasized future that is already being eroded. <\/em>
This civilization is disturbing because it reminds us of our own fantasies, contradicted by our current reality. The film traces this idea of the observer being observed, of us watching and being watched in turn\u2026<\/em><\/p>\n\n\n\n

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Shanna Warocquier <\/strong>(n\u00e9e en 1998) est une artiste vivant et travaillant \u00e0 Paris. Elle a \u00e9tudi\u00e9 la photographie et la vid\u00e9o \u00e0 l’\u00c9cole sup\u00e9rieure nationale des arts d\u00e9coratifs de Paris (ENSAD) et a \u00e9t\u00e9 \u00e9tudiante d’\u00e9change \u00e0 l’Universit\u00e9 Aalto d’Helsinki (Finlande), au sein du programme de master en photographie. Ses sujets explorent le reflet de l’organicit\u00e9 humaine dans le paysage naturel, ainsi que les interactions psychologiques entre ces deux entit\u00e9s. Son travail combine photographie, sculpture, vid\u00e9o et installation. Si son premier geste repose sur des images bidimensionnelles qu’elle recherche constamment \u00e0 travers ses travaux photographiques, elle utilise ensuite diff\u00e9rents mat\u00e9riaux et explore le volume de ses images. Elle donne vie \u00e0 ces images r\u00e9v\u00e9l\u00e9es par les mat\u00e9riaux employ\u00e9s. Ses images ont \u00e9t\u00e9 publi\u00e9es dans des revues telles que Neptune, Cahier des lucioles (num\u00e9ro \u00ab Absorber les fant\u00f4mes \u00bb) et Homeworks<\/em>. Ses installations ont \u00e9t\u00e9 expos\u00e9es \u00e0 la galerie 35\/37 et \u00e0 la galerie Artistik Rezo \u00e0 Paris, \u00e0 la galerie 6B \u00e0 Saint-Denis, \u00e0 la galerie Le Larvoratoire \u00e0 Douarnenez et aux galeries Konelaboratorio, Kalleria et V\u00e4re \u00e0 Helsinki. Elle a \u00e9galement particip\u00e9 \u00e0 des r\u00e9sidences artistiques en Ard\u00e8che (\u00ab Au silence du monde \u00bb) et \u00e0 D\u00f6rgisce (\u00ab Magyar Tenger \u00bb), entre autres, afin de d\u00e9velopper son travail. En 2024, elle a re\u00e7u le Prix Dauphine d’art contemporain et la bourse de production \u00ab Cultures num\u00e9riques \u2013 Banque des Territoires, Groupe Caisse des d\u00e9p\u00f4ts \u00bb \u00bb pour son projet de fin d’\u00e9tudes intitul\u00e9 \u00ab Event Horizon \u00bb.<\/p>\n\n\n\n

Shanna Warocquier<\/strong> (born 1998) is an artist living and working in Paris. She studied photography and video at the Superior National School of the Decorative Arts of Paris (Ensad) and has been to Aalto University, school of Architecture, Arts and Design in Helsinki (Finland) as an exchange student in the Master of Photography program. Her subjects explore the reflection of human organicity in the natural landscape, as well as the psychological effects between these entities. Her work combines photography, sculpture, video and installation. If her first gesture is based on two-dimensional images that she\u2019s always looking for through her photographic research, she uses different materials and finds the extension of her images in volume. She gives life to these images which are revealed by the materials used. Her images have been published in magazines like Neptune journal, Cahier des lucioles, \u00ab Absorber les fant\u00f4mes \u00bb issue and <\/em>Homeworks journal. Her installations have been exhibited at 35\/37 gallery and Artistik Rezo gallery in Paris (France), at the 6B gallery in Saint-Denis (France), Le Larvoratoire gallery in Douarnenez (France) and Konelaboratorio, Kalleria and V\u00e4re galleries in Helsinki (Finland)\u2026 She has done residencies in Ard\u00e8che, France, \u00ab Au silence du monde \u00bb and in D\u00f6rgisce, Hungary, \u00ab Magyar Tenger \u00bb among other artists to pursue her work. In 2024, she\u2019s selected as The Contemporary Art Dauphine Prize Laureate and wins the \u00ab Production Grant of Digital Cultures – Bank of Territories, Caisse des d\u00e9p\u00f4ts Group \u00bb for her graduation project \u00ab Event Horizon \u00bb.<\/em><\/p>\n\n\n\n

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