{"id":16596,"date":"2026-08-18T05:04:08","date_gmt":"2026-08-18T04:04:08","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/video\/taking-space\/"},"modified":"2026-08-28T06:24:26","modified_gmt":"2026-08-28T05:24:26","slug":"taking-space","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/taking-space\/","title":{"rendered":"Taking Space"},"content":{"rendered":"\n

Un portrait exp\u00e9rimental et onirique de Natalija Sari Djakovic (finlandaise\/serbe), \u00e9galement co-auteure du film. Une exploration hypnotique des souvenirs, fantasmes, conflits int\u00e9rieurs et dysphorie de genre de Natalia. Tourn\u00e9 en Super 8, avec des sections endommag\u00e9es par l’eau. Ce film fait partie int\u00e9grante de notre journal intime. Il est n\u00e9 de nos \u00e9changes les plus intimes.<\/p>\n\n\n\n

An experimental, oneiric portrait of Natalija Sari Djakovic (Finish\/Serbian), who’s also the coauthor of the film. A trance-like exploration of Natalia’s memories, fantasies, inner conflict, and gender dysphoria. Shot on Super 8, with sections damaged by water. This piece is shot as part of our diaries. It came out of our intimate interactions.<\/em><\/p>\n\n\n\n

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Natalija Sari Djakovic<\/strong> est une artiste visuelle et conceptrice autodidacte bas\u00e9e \u00e0 Helsinki ; elle a acquis une solide ma\u00eetrise de l’IA gr\u00e2ce \u00e0 la conception pratique de syst\u00e8mes. En moins d’un an, elle a b\u00e2ti un \u00e9cosyst\u00e8me d’IA personnel sophistiqu\u00e9 s’appuyant sur divers outils : agents de coaching personnalis\u00e9s avec int\u00e9gration de donn\u00e9es en temps r\u00e9el, application de gestion de vie d\u00e9velopp\u00e9e via Codex et infrastructure de m\u00e9moire partag\u00e9e entre diff\u00e9rentes plateformes. Natalija fait preuve d’une grande ma\u00eetrise dans la conception de flux de travail et d’une compr\u00e9hension technique pointue, s\u00e9parant d\u00e9lib\u00e9r\u00e9ment le stockage des donn\u00e9es de la prise de d\u00e9cision et structurant les r\u00e9sultats pour qu’ils soient exploitables aussi bien par des humains que par des IA. Elle d\u00e9tecte les erreurs au niveau de la \u00ab texture \u00bb \u2014 rep\u00e9rant les sch\u00e9mas creux et les d\u00e9rives de ton avant qu’ils ne s’aggravent \u2014 et utilise la v\u00e9rification crois\u00e9e entre mod\u00e8les comme un contr\u00f4le qualit\u00e9 d\u00e9lib\u00e9r\u00e9. \u200b\u200bSa vitesse d’apprentissage est \u00e9lev\u00e9e, port\u00e9e par un r\u00e9seau s\u00e9lectionn\u00e9 de sources fiables et une connaissance approfondie de ce qui rend un outil durable et efficace. Natalija apporte une approche syst\u00e9mique et une rigueur cr\u00e9ative \u00e0 l’int\u00e9gration de l’IA, cr\u00e9ant des outils qui r\u00e9v\u00e8lent des sch\u00e9mas in\u00e9dits et se traduisent par un v\u00e9ritable changement de comportement.<\/p>\n\n\n\n

Natalija Sari Djakovic<\/strong> is a Helsinki-based visual artist and self-directed builder who has developed strong AI fluency through hands-on systems design. In under a year, she has constructed a sophisticated personal AI ecosystem spanning multiple tools \u2014 including custom coaching agents with live data integrations, a personal life-operating app maintained in Codex, and shared memory infrastructure across platforms. Natalija demonstrates proficient workflow design and technical understanding, deliberately separating data-holding from decision-making and architecting outputs to serve both human and AI readers simultaneously. She catches errors at the texture level \u2014 recognizing hollow patterns and voice drift before they compound \u2014 and uses cross-model verification as intentional quality control. Her learning velocity is high, driven by a curated network of trusted sources and genuine self-knowledge about what makes tools stick. Natalija brings systems thinking and creative rigor to AI integration, building tools that surface non-obvious patterns and translate into real behavioral change.<\/em><\/p>\n\n\n\n

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Helio Le\u00f3n <\/strong>est un cin\u00e9aste et photographe bas\u00e9 \u00e0 Dublin. \u00c0 travers son travail, il cherche \u00e0 \u00e9mouvoir le public en partageant une vision personnelle, onirique et cach\u00e9e du monde. Il a r\u00e9alis\u00e9 plusieurs films tels que *Helena* (Cork 2015), *Night Journey* (2019), *The Purple Room* (2008\/2021) \u2014 projet\u00e9 \u00e0 l’international (Irlande, \u00c9tats-Unis, France, Gr\u00e8ce, Japon…) \u2014 et *Taking Space* (2025). Ses \u0153uvres ont \u00e9galement \u00e9t\u00e9 expos\u00e9es au Mus\u00e9e d’art moderne d’Irlande (IMMA) en 2019 et 2022, notamment dans le cadre de l’exposition collective *A Vague Anxiety* et du festival *Earth Rising Eco Art Festival*. En 2022, il a re\u00e7u le prix \u00ab Film Project Award \u00bb du Conseil des arts d’Irlande (Irish Arts Council), gr\u00e2ce auquel il a \u00e9crit et r\u00e9alis\u00e9 le court m\u00e9trage *Sister of the Dogs*, pr\u00e9sent\u00e9 en avant-premi\u00e8re au festival IndieCork en 2025. Il a aussi men\u00e9 plusieurs projets de photographie documentaire au long cours, parmi lesquels : *Samothrace* (2008), *Warwick Road* (2009), *The Purple Room* (2009\/2017), *Marfa Sky* (2019, publi\u00e9 sous forme de livre photo par TLP Editions), *The Sea of \u200b\u200bDissolution* (2024) et *Narrow Valley* (2025).<\/p>\n\n\n\n

Helio Le\u00f3n<\/strong> is a filmmaker and photographer based in Dublin. With their work, they aim to move their audience, sharing a personal, oneiric, and hidden experience of the world. They’ve produced several films like Helena (Cork 2015), Night Journey (2019), The Purple Room (2008\/2021), which has been screened internationally (Ireland, USA, France, Greece, Japan…), and Taking Space (2025). Their work has also been exhibited at Irish Museum of Modern Art in 2019 and 2022, in the group show A Vague Anxiety, and the Earth Rising Eco Art Festival. In 2022, they were awarded the Irish Arts Council Film Project Award, with which they wrote and directed the short film Sister of the Dogs, which premiered in IndieCork in 2025. They’ve also produced several long-term documentary photography projects, including: Samothrace (2008), Warwick Road (2009), The Purple Room (2009\/2017), Marfa Sky (2019, published as a photo book by TLP Editions), The Sea of Dissolution (2024), and Narrow Valley (2025).<\/em><\/p>\n\n\n\n

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