(Life is like that and not otherwise)<\/p>\n\n\n\n
\u00ab Ainsi est le Leben et nicht anders. \u00bb Il s’agit d’une mission hypnotique de la part de Mme Miko dans son travail, qui lui permet d’acqu\u00e9rir rapidement des connaissances et des id\u00e9es. Ihre geh\u00e4useartigen Erinnerungsgef\u00fcge haben sich mit denen von Lenia Friedrich \u00fcberlagert, die im Inneren des gemeinsam bewohnten Hauses vertr\u00e4umt ihrem eigenen Alterungsprozess nachsinnt. Les s\u00e9quences anim\u00e9es de ces films ont \u00e9t\u00e9 go\u00fbt\u00e9es par le pass\u00e9, apportent des \u0153uvres d’art \u00e0 l’avant-plan, les fonds g\u00e9n\u00e9r\u00e9s pr\u00e9c\u00e9demment sont disponibles, mais aussi le ciel et la rivi\u00e8re, les \u00e9l\u00e9ments d’art, les objets, les options ou les noms.<\/p>\n\n\n\n
\u2018Life is like that and not otherwise.\u2019 is an escargotic exploration of the spaces lived and lost throughout the life of Mrs. Miko, who is quite old now, perhaps even a centenarian. Her storied, shell-like mind structures have become intertwined with those of Lenia Friedrich, who, within the proximity of their shared home, languidly\/dreamly muses on her own moribund process of ageing. The animated sequences of this film rotate and trace through memory strata, uncovering some of the artefacts that can be found there, as well as the imprints and the fractures that are left behind when objects, memories, or names disappear.<\/em><\/p>\n\n\n\n