{"id":14816,"date":"2025-07-25T15:48:12","date_gmt":"2025-07-25T14:48:12","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/video\/rapture-i-visit\/"},"modified":"2025-09-13T19:09:56","modified_gmt":"2025-09-13T18:09:56","slug":"rapture-i-visit","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/rapture-i-visit\/","title":{"rendered":"Rapture I &#8211; Visit"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">RAPTURE I &#8211; VISIT s&rsquo;articule autour du danseur ukrainien de Vogue, Marko, et de sa confrontation \u00e9motionnelle avec son appartement abandonn\u00e9 et inaccessible dans le Donbass, en Ukraine, une r\u00e9gion touch\u00e9e par dix ann\u00e9es de guerre. L&rsquo;appartement est restitu\u00e9 gr\u00e2ce \u00e0 un scan 3D de photographies originales, cr\u00e9ant une reconqu\u00eate num\u00e9rique du territoire, tandis que Marko le visite en r\u00e9alit\u00e9 virtuelle pour la premi\u00e8re fois depuis 2018.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>RAPTURE I &#8211; VISIT revolves around Ukrainian Vogue dancer Marko and his emotional confrontation with his abandoned and inaccessible apartment in Donbas, Ukraine, a region affected by ten years of war. The apartment is rendered through a 3D scan of original photographs, creating a digital reconquest of the territory as Marko visits it through VR for the first time since 2018.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/filmfreeway-production-storage-01-connector.filmfreeway.com\/attachments\/files\/009\/090\/691\/original\/RAPTURE_plakat_web.jpg?1740400290\" alt=\"\" style=\"width:633px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/filmfreeway-production-storage-01-connector.filmfreeway.com\/press_kits\/headshots\/002\/869\/342\/original\/21dcd1c03a-headshot.jpg?1724933785\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:200px\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Alisa Berger<\/strong> est n\u00e9e en 1987 \u00e0 Makhatchkala (R\u00e9publique du Daghestan, Russie) et a grandi \u00e0 Lviv (Ukraine) et Essen (Allemagne). Elle a \u00e9tudi\u00e9 le cin\u00e9ma et les beaux-arts \u00e0 l&rsquo;Acad\u00e9mie des arts m\u00e9diatiques de Cologne (KHM) et \u00e0 l&rsquo;Universit\u00e9 nationale de Colombie de Bogot\u00e1. Avec son film de fin d&rsquo;\u00e9tudes \u00e0 la KHM en 2017, elle a \u00e9t\u00e9 nomin\u00e9e pour le prix Max Oph\u00fcls et pour le prix FIRST STEPS de la Deutsche Filmakademie. Elle a \u00e9galement re\u00e7u le prix du meilleur film pour les nouveaux r\u00e9alisateurs au Festival international du film d&rsquo;Uruguay et le prix du sc\u00e9nario de HW Gei\u00dfend\u00f6rfer. De 2018 \u00e0 2022, elle a v\u00e9cu \u00e0 Tokyo et \u00e9tudi\u00e9 le but\u00f4. Son travail s&rsquo;int\u00e9resse souvent \u00e0 la recherche de la pulsion spirituelle et irrationnelle de notre monde, aux cultures dont les pratiques d&rsquo;acquisition du savoir sont li\u00e9es aux id\u00e9ologies religieuses, aux cultes mortuaires ou aux conceptions futuristes de ces croyances.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Alisa Berger<\/strong> was born 1987 in Makhachkala (Republic of Dagestan, Russia) and raised in Lviv (Ukraine) and Essen (Germany). She studied film and fine arts at the Academy of Media Art Cologne (KHM) and at the Universidad Nacional de Colombia Bogot\u00e1. With her 2017 KHM diploma film, she was nominated for the Max Oph\u00fcls Prize and for the FIRST STEPS Award of the Deutsche Filmakademie. She was also the recipient of the Best Film Award for New Directors at Int. Film Festival Uruguay and the Screenplay Award of H.W. Gei\u00dfend\u00f6rfer. 2018 &#8211; 2022 she lived in Tokyo and studied Butoh. Her work often deals with a search for the spiritual, non-rational drive in our world, cultures whose practices of knowledge acquisition are related to religious ideologies, mortuary cults or futuristic concepts of these beliefs.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n","protected":false},"featured_media":15168,"menu_order":0,"template":"","portfolio-category":[529],"portfolio-tag":[],"class_list":["post-14816","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-expo-friche-17-oct-2025-11-jan-2026"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio\/14816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/portfolio"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/15168"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=14816"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-category?post=14816"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-tag?post=14816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}