{"id":13012,"date":"2024-08-19T15:57:13","date_gmt":"2024-08-19T14:57:13","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=13012"},"modified":"2024-09-21T14:06:30","modified_gmt":"2024-09-21T13:06:30","slug":"a-stones-throw","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/a-stones-throw\/","title":{"rendered":"A Stone\u2019s Throw"},"content":{"rendered":"\n

Amine, un ancien palestinien, est exil\u00e9 \u00e0 deux reprises de ses terres et de son travail. Il a \u00e9t\u00e9 d\u00e9plac\u00e9 de Ha\u00effa, sa ville natale, \u00e0 Beyrouth, puis de nouveau sur l’\u00eele de Zirku, pour travailler sur cette plateforme p\u00e9troli\u00e8re offshore dans le Golfe Arabique. \u00ab\u00a0A Stone’s Throw\u00a0\u00bb d\u00e9passe les fronti\u00e8res pour r\u00e9v\u00e9ler une proximit\u00e9 \u00e9motionnelle et mat\u00e9rielle entre l’extraction du p\u00e9trole et de la main d’\u0153uvre dans la r\u00e9gion et la colonisation sioniste de la Palestine. Le film retrace l’histoire de la r\u00e9sistance palestinienne lorsqu’en 1936, les ouvriers p\u00e9troliers de Ha\u00effa font sauter un ol\u00e9oduc de BP.<\/p>\n\n\n\n

Amine, a Palestinian elder, is exiled twice from land and labour. He is displaced from his birthplace Haifa to Beirut, and again to Zirku Island, to work on this offshore oil platform in the Arab Gulf. \u00ab\u00a0A Stone\u2019s Throw\u00a0\u00bb trespasses borders to reveal an emotional and material proximity between the extraction of oil and labour in the region and the Zionist colonization of Palestine. The film rehearses a history of the Palestinian resistance when, in 1936, the oil labourers of Haifa blow up a BP pipeline.<\/em><\/p>\n\n\n\n

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Razan AlSalah<\/strong> est une artiste et enseignante palestinienne bas\u00e9e \u00e0 Tio’tia:ke\/Montr\u00e9al. Son travail a \u00e9t\u00e9 projet\u00e9 \u00e0 Art of the Real, Prismatic Ground, RIDM, HotDocs, Yebisu, Melbourne, Glasgow et Beirut International, Cinema Days Palestine, Sharjah Film Forum, IZK Institute for Contemporary Art et Sursock Museum. Elle travaille souvent avec des images sonores pour infiltrer les fronti\u00e8res qui nous ont s\u00e9par\u00e9s de la terre. Ses films sont \u00e0 la fois des intrusions fantomatiques et des ruptures suintantes de l’image coloniale, qui fonctionne comme une fronti\u00e8re, comme un mur. Elle consid\u00e8re son processus cr\u00e9atif comme un cercle de relations avec des artistes, des amis, la famille, la technologie, les images, les plantes, les objets et les sons\u2026 et l’inconnu. Ces relations deviennent diff\u00e9rents points d’entr\u00e9e et de sortie vers des ailleurs, ici, o\u00f9 le colonialisme n’a plus de sens.<\/p>\n\n\n\n

Razan AlSalah<\/strong> is a Palestinian artist and teacher based in Tio’tia:ke\/Montreal. Her work has been screened at Art of the Real, Prismatic Ground, RIDM, HotDocs, Yebisu, Melbourne, Glasgow and Beirut International, Cinema Days Palestine, Sharjah Film Forum, IZK Institute for Contemporary Art and Sursock Museum. <\/em>
She often works with sound-images to infiltrate borders that have severed us from the land. Her films are both ghostly trespasses, and seeping ruptures, of the colonial image, that functions as a border, as a wall.
She thinks of her creative process as a circle of relations with artists, friends, family, technology, images, plants, objects and sounds\u2026and the unknown. These relations become different points of entry and exit into elsewheres here, where colonialism no longer makes sense. <\/em><\/p>\n\n\n\n

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