{"id":12876,"date":"2024-08-15T16:17:23","date_gmt":"2024-08-15T15:17:23","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&#038;p=12876"},"modified":"2024-08-15T16:25:22","modified_gmt":"2024-08-15T15:25:22","slug":"sous-le-desert","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/sous-le-desert\/","title":{"rendered":"Sous le D\u00e9sert"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Quatri\u00e8me volet du traumatisme de catastrophe naturelle : d\u00e9gradation biologique, physique et chimique, d\u00e9r\u00e8glement climatique, d\u00e9sertification, pauvret\u00e9, conflit, n\u00e9cessit\u00e9 vitale de changement, d&rsquo;une exploitation agricole durable, pour que notre monde puisse continuer \u00e0 exister. Mais sommes-nous pr\u00eats \u00e0 ce changement de mode de vie ?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Fourth part of natural disaster trauma: biological, physical and chemical degradation, climate change, desertification, poverty, conflict, vital need for change, of a sustainable agricultural exploitation, so that our world can continue to exist. But are we ready for this lifestyle change?<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/press_kits\/posters\/002\/459\/129\/original\/0ca5aa5464-poster.jpg?1715714832\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/attachments\/files\/008\/222\/542\/original\/Sous_le_Desert_Under_Desert_6_petit.jpg?1715095174\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/attachments\/files\/008\/222\/544\/original\/Sous_le_Desert_Under_Desert_2_petit.jpg?1715095176\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/press_kits\/headshots\/002\/459\/129\/original\/855156f3ef-headshot.jpg?1691325871\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:200px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Claude Ciccolella<\/strong> habite Marseille\/France, o\u00f9 il a \u00e9tudi\u00e9 la physique, l&rsquo;oc\u00e9anologie, l&rsquo;automatique et l&rsquo;informatique aux Universit\u00e9s de Marseille jusqu&rsquo;au doctorat de biologie marine et d&rsquo;automatisation des stations d&rsquo;aquaculture. Apr\u00e8s avoir travaill\u00e9 \u00e0 Paris sur un r\u00e9seau informatique pour une entreprise pharmaceutique, il se tourne vers la sculpture, le monochrome et en 1998 la vid\u00e9o. Fin des ann\u00e9es 1990, il propose une esquisse de th\u00e8se sur le monochrome \u00e0 la Sorbonne\/Paris. Le doyen ne sut pas dans quel domaine sp\u00e9cifique, philosophie, histoire de l&rsquo;art ou art plastique, sa th\u00e8se aurait pu \u00eatre supervis\u00e9e. En 2000 il co-cr\u00e9e Images contre nature, festival international de vid\u00e9o exp\u00e9rimentale \u00e0 Marseille. Il en sera curateur et programmateur. Ce festival, aux programmes issus de l&rsquo;analyse de l&rsquo;image en mouvement -anim\u00e9 -espace -identit\u00e9 -long -mouvement -perception -sens -temps, dura 18 ans. Entre 1999 et 2024 il cr\u00e9e trente six vid\u00e9os, courts et longs m\u00e9trages, diffus\u00e9es dans des festivals, mus\u00e9es, TV et expositions, r\u00e9compens\u00e9es par de nombreux prix. Certaines de ces vid\u00e9os ont \u00e9t\u00e9 r\u00e9alis\u00e9es avec des metteurs en sc\u00e8ne de th\u00e9\u00e2tre, des com\u00e9diens, des musiciens, des plasticiens. A partir de 2010, il participe \u00e0 la cr\u00e9ation du th\u00e9\u00e2tre des Chartreux \u00e0 Marseille. Il en deviendra r\u00e9gisseur son et lumi\u00e8re pendant 7 ans.\u00a0En 2018 son installation Quadriptyque 12.08.02, sur l&rsquo;entropie, l&rsquo;antimati\u00e8re et la th\u00e9orie des cordes est diffus\u00e9e \u00e0 l&rsquo;Ecole sup\u00e9rieure d&rsquo;art d&rsquo;Aix-en-Provence\/France. A partir de 2019 il devient professeur de physique-chimie et de math\u00e9matique de coll\u00e8ge et lyc\u00e9e. En 2023 son installation Quadriptyque 06.02.04, sur le traumatisme de catastrophe naturelle a \u00e9t\u00e9 diffus\u00e9e \u00e0 l\u2019Ecole sup\u00e9rieure d\u2019art d\u2019Aix-en-Provence\/France. Th\u00e8me de son travail : disparition, couleur, mati\u00e8re, entropie, antimati\u00e8re, th\u00e9orie des cordes, improvisation, existentialisme &#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Claude Ciccolella<\/strong> lives in Marseille\/France, where he studied physics, oceanology, automation and computer science at the Universities of Marseille until his doctorate in marine biology and the automation of aquaculture stations. After working in Paris for a pharmaceutical company, on a computer network, he turned to sculpture, monochrome and in 1998 video. At the end of the 1990s, he proposed a beginning of thesis sketch at the Sorbonne\/Paris on monochrome. The dean does not know in which specific field, philosophy, art history or plastic art, this thesis could have been supervised. In 2000, he co-created Images contre nature, an international festival of experimental video in Marseille. He was curator and programmer. This festival, whose programs are derived from the analysis of the moving image -animated -space -identity -long &#8211; movement -perception -meaning -time, lasted 18 years.fivz Between 1999 and 2023 he created thirty five videos, short and feature films, shown in festivals, museums, TV and exhibitions. Videos have been realized with theater directors, actors, musicians and visual artists, and some has received numerous awards. From 2010, he participated in the creation of the Chartreux theater in Marseille. He will become light and sound manager for 7 years. In 2018, his installation Quadriptych 12.08.02, on entropy, antimatter and string theory was screened at the High School of art in Aix-en-Provence\/France. From 2019, he became a middle and high physics-chemistry teacher. In 2023, his installation Quadriptych 06.02.04, on trauma of natural disaster was screened at the High School of Art in Aix-en-Provence\/France. Theme of his work: disappearance, color, matter, entropy, antimatter, string theory, improvisation, existentialism; an adventure of audio-visual creation.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/cciccolella.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Website<\/a><\/p>\n","protected":false},"featured_media":12877,"menu_order":0,"template":"","portfolio-category":[447],"portfolio-tag":[],"class_list":["post-12876","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-friche-18-oct-2024-16h30"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio\/12876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/portfolio"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/12877"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=12876"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-category?post=12876"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-tag?post=12876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}