{"id":11457,"date":"2023-09-08T09:18:32","date_gmt":"2023-09-08T08:18:32","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=11457"},"modified":"2023-09-08T09:18:32","modified_gmt":"2023-09-08T08:18:32","slug":"red-red-red","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/red-red-red\/","title":{"rendered":"Red red red"},"content":{"rendered":"

Il s’agit d’un film r\u00e9alis\u00e9 \u00e0 partir d’un cadre. Le cadre est fait de mots. Les mots sont faits de la vie. Ce cadre est apparu au tout d\u00e9but de la pand\u00e9mie, lorsque les gens se sont permis de ne pas travailler, lorsqu\u2019il y a eu une v\u00e9ritable pause dans le temps et que nous avons \u00e9t\u00e9 \u00ab autoris\u00e9s \u00bb \u00e0 observer notre environnement. J\u2019avais un passe-partout vide provenant d\u2019un cadre de format A1 abandonn\u00e9 que je gardais depuis un certain temps. J’ai commenc\u00e9 \u00e0 l’utiliser comme une sorte de journal intime, \u00e9crivant ce que je ressentais, ce qui me passait par la t\u00eate \u2013 des phrases courtes, des appels \u00e0 l’aide, des cris de frustration \u2013 et cela a continu\u00e9 jusqu’\u00e0 ce qu’il se remplisse deux ans et demi plus tard. J’aime l’id\u00e9e de placer du contenu sur le bord d’un cadre\u00a0: c’est dans la zone autour d’une image ou d’un imprim\u00e9, l\u00e0 o\u00f9 les gens ne regardent pas, c’est le vide, le liminal, il est disloqu\u00e9 et donc il d\u00e9place les pens\u00e9es, les sentiments et les connaissances vers des endroits inattendus, vers des endroits qui ne sont pas faits pour contenir du contenu. Cela en fait une sorte d\u2019acte rebelle, inconsciemment lib\u00e9rateur. Les pens\u00e9es et les sentiments peuvent rester l\u00e0 et flotter dans l\u2019espace, ils peuvent \u00eatre libres, non cat\u00e9goris\u00e9s, sans jugement. Au fil du temps, je n’\u00e9tais pas s\u00fbr de ce que c’\u00e9tait (si c’\u00e9tait cens\u00e9 \u00eatre autre chose qu’un punching-ball) et puis un jour o\u00f9 j’\u00e9tais tr\u00e8s en col\u00e8re et d\u00e9sillusionn\u00e9 \u2014 par le syst\u00e8me dans lequel nous vivons et par les obstacles que nous visage en tant qu’artistes – tout avait un sens, c’est devenu quelque chose de plus\u00a0: un t\u00e9moin\u00a0de la vie d’un artiste vivant aujourd’hui, une archive de pens\u00e9es, de sentiments et de col\u00e8re, une ode \u00e0 l’intensit\u00e9 de la pand\u00e9mie, elle-m\u00eame un microcosme de vie, un t\u00e9moin du temps qui passe, de notre chemin vers la mort, \u00e9loge de la vie.<\/p>\n

This is a film made from a frame. The frame is made from words. The words are made from life.\u00a0The frame came about at the very start of the pandemic when people allowed themselves not to work, when there was an actual pause in time and we were \u2018allowed\u2019 to observe our surroundings. I had an empty passe-partout from a discarded A1-sized frame that I\u2019d kept hold of for some time. I started using it as a sort of diary, writing how I felt, what was going through my mind \u2014 short sentences, cries for help, screams of frustration \u2014 and this continued until it filled up two and half years later.\u00a0I like the idea of placing content onto the border of a frame: it\u2019s in the area around a picture or print, where people don\u2019t look, it\u2019s the void, the liminal, it\u2019s dislocated and so it relocates thoughts, feelings and knowledge to unexpected places, to places that aren\u2019t made to hold content. That makes it a kind of rebellious act, one that feels unconsciously freeing. Thoughts and feelings can hang there and float in space, they are allowed to be free, uncategorised, without judgement.\u00a0As time went by, I wasn\u2019t sure what it was (if it was meant to be anything other than a punching ball) and then one day when I was very angry and disillusioned \u2014 by the system we live in and at the obstacles we face as artists \u2014 it all made sense, it became something more: a witness\u00a0of the life of one artist living today, an archive of thoughts, feelings and anger, an ode to the intensity of the pandemic, itself a microcosm of life, a witness to the passing of time, to our road to death, an eulogy to life.<\/em><\/p>\n

L’artiste et cin\u00e9aste bas\u00e9e \u00e0 Londres Antonia Luxem<\/strong> cr\u00e9e des films pour explorer diff\u00e9rentes r\u00e9alit\u00e9s et corps, et pour transporter les spectateurs vers de nouveaux espaces mentaux. Son travail d\u00e9coule et s’inspire de sujets couvrant la perception humaine, l’anxi\u00e9t\u00e9 existentielle, les r\u00eaves, l’identit\u00e9 queer et l’homophobie. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans des expositions et des festivals de cin\u00e9ma au Royaume-Uni et \u00e0 l’\u00e9tranger. Les projections et expositions r\u00e9centes incluent Gasworks, Londres ; Projets de puits, Margate\u00a0; Galerie des fragments, Moscou\u00a0; B3 Biennale de l’image en mouvement, Francfort ; \u00c9glise suisse, Londres ; Projets de gazon, Croydon\u00a0; LIMBO, Margate\u00a0; Biennale de Whitstable, projets invit\u00e9s, Londres. Les festivals de films r\u00e9cents incluent le New York Independent Film Festival, New York ; Festival du film Underwire, Londres\u00a0; Festival analogique KINOSKOP, Belgrade\u00a0; Traverse Vid\u00e9o, Toulouse ; Festival du film de l’East End, Londres. Elle est une ancienne \u00e9l\u00e8ve de l’Open School East (2018) et de la FLAMIN Fellowship (2019\/2020), et \u00e9tait en r\u00e9sidence \u00e0 Gasworks en 2021.<\/p>\n

London-based artist and filmmaker Antonia Luxem creates films to explore different realities and bodies, and to transport viewers to new mental spaces. Her work stems from and has been inspired by subjects spanning human perception, existential anxiety, dreams, queer identity and homophobia.\u00a0Her work has been shown in exhibitions and film festivals in the UK and abroad. Recent screenings and exhibitions include Gasworks, London; Well Projects, Margate; Fragment Gallery, Moscow; B3 Biennale of the moving image, Frankfurt; Swiss Church, London; Turf Projects, Croydon; LIMBO, Margate; Whitstable Biennial, Guest Projects, London. Recent film festivals include New York Independent Film Festival, New York; Underwire Film Festival, London; KINOSKOP Analogue Festival, Belgrade; Traverse Video, Toulouse; East End Film Festival, London.\u00a0She is an alumni of Open School East (2018) and the FLAMIN Fellowship (2019\/2020), and was is in residency at Gasworks in 2021.<\/em><\/p>\n","protected":false},"featured_media":11458,"menu_order":0,"template":"","portfolio-category":[402],"portfolio-tag":[],"class_list":["post-11457","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-visualcontainer-tv-18-oct-21-nov-2023"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio\/11457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/portfolio"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/11458"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=11457"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-category?post=11457"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-tag?post=11457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}