{"id":11265,"date":"2023-09-07T10:33:25","date_gmt":"2023-09-07T09:33:25","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=11265"},"modified":"2023-09-11T10:31:09","modified_gmt":"2023-09-11T09:31:09","slug":"ignis-fatuus-aka-la-promesse-fallacieuse-part-1-2-3","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/ignis-fatuus-aka-la-promesse-fallacieuse-part-1-2-3\/","title":{"rendered":"Ignis Fatuus aka La promesse fallacieuse part 1, 2, 3, 4"},"content":{"rendered":"

Les cha\u00eenes de la migration et du d\u00e9placement: dettes, violence, esclavage et le cercle vicieux de la pauvret\u00e9. Avec Ashok (faux nom). Ashok est une personne disparue. Il a \u00e9t\u00e9 victime d’une disparition forc\u00e9e au Pakistan. *Les victimes de disparitions forc\u00e9es sont des gens qui ont litt\u00e9ralement disparu de leurs proches et de leur communaut\u00e9. Ils disparaissent quand des officiels du gouvernement (ou quelqu’un agissant pour le gouvernement) les kidnappent dans la rue ou chez eux puis le d\u00e9mentent, ou refusent de dire o\u00f9 ils sont. \u2013 D\u00e9finition d’ Amnesty International. Apr\u00e8s avoir \u00e9t\u00e9 d\u00e9tenu et tortur\u00e9 pendant presque 2 ans, il a r\u00e9ussi \u00e0 \u00e9chapper \u00e0 la mort et a fui \u00e0 l’\u00e9tranger. Il est maintenant un r\u00e9fugi\u00e9 \u201cofficiel\u201d et vit cach\u00e9 dans un lieu secret. N\u00e9anmoins son statut l\u00e9gal ne l’autorise pas \u00e0 travailler, donc tous ses besoins de base d\u00e9pendent enti\u00e8rement de la charit\u00e9. Et Wael et Elissavet. Wael a fui la Syrie il y a 10 ans. Il est \u00e9galement un refugi\u00e9 \u201cofficiel\u201d. Avoir ses papiers et l\u2019autorisation de travailler n\u2019a pas pour autant signifi\u00e9 que la vie est devenue plus facile. En Gr\u00e8ce il y a connu et a \u00e9t\u00e9 t\u00e9moin de l’exploitation, de la pauvret\u00e9, du racisme, de la violence et de l\u2019injustice. Enfin, environ apr\u00e8s sept ann\u00e9es de vie en Gr\u00e8ce, le service d\u2019asile grec a subitement r\u00e9voqu\u00e9 son asile. Mais l’espoir est sa devise. Wael pense que ce chapitre de sa vie l\u2019a rendu plus fort. \u00c0 Ath\u00e8nes, il a rencontr\u00e9 sa petite amie Elissavet. Adaptation en urdu, arabe et en grec des paroles de la chanson \u00ab\u00a0The Merry Old Land of Oz\u00a0\u00bb by E.Y. Harburg \/ Harold Arlen du film \u201cLe magicien d\u2019Oz\u201d.<\/p>\n

The bonds of migration and displacement: debt, violence, slavery and the vicious circle of poverty. <\/em>With Ashok (fake name). Ashok is a missing person. He has been a victim of an enforced disappearance* in Pakistan. *Victims of enforced disappearance are people who have literally disappeared from their loved ones and their community. They go missing when state officials (or someone acting with state consent) grabs them from the street or from their homes and then deny it, or refuse to say where they are. \u2013 Definition by Amnesty International. After being detained and tortured for almost 2 years, he managed to escape death and fled abroad. He is now a \u201crecognized\u201d refugee and lives hidden in a secret location. Nevertheless his legal status doesn\u2019t allow him to work, so all his basic needs depend entirely on charity. With Wael and Elissavet. Wael flew Syria 10 years ago. He is also a recognized refugee. Having papers and being allowed to work didn’t mean life became easier. In Greece he has experienced and witnessed exploitation, poverty, racism and violence. But hope is his motto. Wael defines this chapter of his life as an empowerment journey. In Athens, he has met his girlfriend Elissavet. Adaptation in Udu, Arabic and Greek of the lyrics of the song \u00ab\u00a0The Merry Old Land of Oz\u00a0\u00bb by E.Y. Harburg \/ Harold Arlen.<\/p>\n

Website<\/a><\/p>\n

Instagram<\/a><\/p>\n

\"clemence-barret\"Cl\u00e9mence B. T. D. Barret<\/strong> est une artiste plasticienne autodidacte qui se dit transnationale. L’identit\u00e9, la migration, l’alt\u00e9rit\u00e9, la libert\u00e9, la laideur et la disparition sont ses sujets de pr\u00e9dilection. S’inspirant de ses propres exp\u00e9riences en tant que filtre, elle cherche \u00e0 comprendre ces concepts dans divers environnements et communaut\u00e9s. Les expressions artistiques de Barret sont diverses. Elles prennent la forme d’installations, de projections et utilisent diff\u00e9rents supports tels que des vid\u00e9os, des photographies, des sons, des mouvements, des objets, des peintures et des monotypes. Politiquement engag\u00e9e, la pratique multidisciplinaire de Barret a r\u00e9cemment r\u00e9pondu aux incertitudes de l’\u00e8re de l’Anthropoc\u00e8ne et aux d\u00e9fis pos\u00e9s par la pand\u00e9mie. Ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans de nombreuses expositions internationales et festivals d’art. De la France, l’Italie, l’Espagne, la Finlande et le Royaume-Uni \u00e0 la Gr\u00e8ce, l’Allemagne, la Serbie, la Russie, l’Inde, la Tha\u00eflande, le Myanmar, le Vietnam, l’Argentine, la Colombie, le Mexique, le Maroc et les \u00c9tats-Unis, son art a touch\u00e9 des publics divers dans le monde entier.<\/p>\n

Cl\u00e9mence B. T. D. Barret is a self-taught visual artist who calls herself transnational. Identity, migration, otherness, freedom, ugliness and disappearance are his favorite subjects. Drawing on her own experiences as a filter, she seeks to understand these concepts in diverse environments and communities. Barret’s artistic expressions are diverse. They take the form of installations, projections and use different media such as videos, photographs, sounds, movements, objects, paintings and monotypes. Politically engaged, Barret’s multidisciplinary practice has recently responded to the uncertainties of the Anthropocene era and the challenges posed by the pandemic. His works have been presented in numerous international exhibitions and art festivals. From France, Italy, Spain, Finland and the UK to Greece, Germany, Serbia, Russia, India, Thailand, Myanmar, Vietnam, Argentina, Colombia, Mexico, Morocco and the United States, his art has reached diverse audiences around the world.<\/em><\/p>\n

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