{"id":10953,"date":"2023-08-31T15:31:33","date_gmt":"2023-08-31T14:31:33","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=10953"},"modified":"2023-08-31T15:32:22","modified_gmt":"2023-08-31T14:32:22","slug":"ingresso-animali-vivi","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/ingresso-animali-vivi\/","title":{"rendered":"Ingresso Animali Vivi"},"content":{"rendered":"

Les animaux provenant d’Europe de l’Est et destin\u00e9s \u00e0 l’industrie alimentaire italienne \u00e9taient transport\u00e9s vers les villes situ\u00e9es le long de la fronti\u00e8re de l’\u00c9tat dans le nord-est de l’Italie. De ces tapis roulants de la mort, un seul animal a r\u00e9ussi \u00e0 sortir vivant.<\/p>\n

Animals from Eastern Europe for the Italian food\/meat industry used to be transported to the towns along the state border in Northeast Italy. From those conveyor-belt spaces of death, only one animal managed to come in and out alive.<\/em><\/p>\n

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Igor Grubic<\/strong> (Zagreb, 1969) est actif en tant qu’artiste multim\u00e9dia depuis le d\u00e9but des ann\u00e9es 1990. Son travail comprend des interventions in situ dans les espaces publics, la photographie et le cin\u00e9ma. Il a repr\u00e9sent\u00e9 la Croatie \u00e0 la 58e Biennale de Venise. Sa pratique critique et socio-politiquement engag\u00e9e se caract\u00e9rise par un engagement \u00e0 long terme, son travail se concentrant sur les situations politiques pass\u00e9es et pr\u00e9sentes, depuis une exploration approfondie du sort des monuments historiques et de la disparition de l’industrie, jusqu’\u00e0 l’examen de la situation difficile. des communaut\u00e9s minoritaires. Bien que fond\u00e9 sur la tradition documentariste, le travail photographique et cin\u00e9matographique de Grubi\u0107 se caract\u00e9rise par une approche affective et empathique, profond\u00e9ment humaine et souvent po\u00e9tique. Son travail a \u00e9t\u00e9 expos\u00e9 dans diverses expositions et institutions internationales, notamment la Biennale de Tirana 2 (2003) ; Manifeste 4 (Francfort, 2002) ; Manifeste 9 (Genk, 2012) ; Salon du 50 octobre (Belgrade, 2009) ; Gender Check, MuMOK (Vienne, 2009) ; 11e Biennale d’Istanbul (2009) ; 4e Fotofestival Mannheim Ludwigshafen, Heidelberg (2011) ; East Side Stories, Palais de Tokyo (Paris, 2012) ; Biennale de Gwangju (2014) ; Tol\u00e9rance Z\u00e9ro, MOMA PS1 (New York 2014) ; Degr\u00e9s de libert\u00e9, MAMbo (Bologne, 2015) ; 5e Biennale de Thessalonique (2015) ; Couper\/Rez, MSU (Zagreb, 2018) ; Cr\u00e9atures c\u00e9lestes, MG+MSUM (Ljubljana, 2018) ; La valeur de la libert\u00e9, Belv\u00e9d\u00e8re 21 (Vienne, 2018) ; 58e Biennale de Venise (2019) ; Biennale d’Erevan \u2013 Le complexe temporel (2020) ; Plus grand que moi, MAXXI (Rome, 2021).<\/p>\n

Igor Grubic (Zagreb, 1969) has been active as a multimedia artist since the early 1990s. His work includes site-specific interventions in public spaces, photography, and film. He represented Croatia at the 58th Venice Biennale. His critical, socio-politically committed practice is characterized by long-term engagement, his work focusing on past and present political situations, from an in-depth exploration of the fate of historical monuments and the demise of industry, to the examination of the predicament of minority communities. Though grounded in documentarist tradition, Grubi\u0107\u2019s work in photography and film is characterized by an affective and empathetic approach that is deeply humane and often poetic. His work has been exhibited at various international exhibitions and institutions, including the Tirana Biennial 2 (2003); Manifesta 4 (Frankfurt, 2002); Manifesta 9 (Genk, 2012); 50th October Salon (Belgrade, 2009); Gender Check, MuMOK (Vienna, 2009); 11th Istanbul Biennial (2009); 4th Fotofestival Mannheim Ludwigshafen, Heidelberg (2011); East Side Stories, Palais de Tokyo (Paris, 2012); Gwangju Biennale (2014); Zero Tolerance, MOMA PS1 (New York 2014); Degrees of Freedom, MAMbo (Bologna, 2015); 5th Thessaloniki Biennial (2015); Cut \/ Rez, MSU (Zagreb, 2018); Heavenly creatures, MG+MSUM (Ljubljana, 2018); The Value of Freedom, Belvedere 21 (Vienna, 2018); 58th Venice Biennale (2019); Yerevan Biennial \u2013 The Time Complex (2020); Bigger than Myself, MAXXI (Rome, 2021).<\/em><\/p>\n

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