{"id":10747,"date":"2023-08-07T15:43:31","date_gmt":"2023-08-07T14:43:31","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=10747"},"modified":"2024-09-21T14:07:32","modified_gmt":"2024-09-21T13:07:32","slug":"dont-forget-me","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/dont-forget-me\/","title":{"rendered":"Souviens-toi"},"content":{"rendered":"

La persistance d’une image fatidique et le besoin de s’y accrocher impliquent le d\u00e9ploiement d’une m\u00e9moire. Une m\u00e9moire ainsi suspendue entre de multiples versions d’un m\u00eame \u00e9v\u00e9nement, entre les repr\u00e9sentations d’un pass\u00e9 et d’un pr\u00e9sent d\u00e9j\u00e0 v\u00e9cu, entre figuration et abstraction, entre immobilit\u00e9 et mouvement, entre photographie, film et vid\u00e9o, entre image fixe et image en mouvement. En effet, les impressions intrusives d’autres vies se superposent \u00e0 notre m\u00e9moire, nous exposant \u00e0 une r\u00e9alit\u00e9 contr\u00f4l\u00e9e dans laquelle nous nous demandons qui regarde et quoi regarder. Nous serons face \u00e0 des images oubli\u00e9es, invent\u00e9es, d\u00e9form\u00e9es, dont la force repose sur leur source – un traumatisme -, pour ne nous offrir qu’une \u00e9nergie cach\u00e9e de lignes et de points, une trame soustraite \u00e0 l’action en cours, mais qui en constitue le moteur.<\/p>\n

The persistence of a fateful image and the need to hold on to it imply the unfolding of a memory. A memory thus suspended between multiple versions of the same event, between the representations of a past and a present already lived, between figuration and abstraction, between immobility and movement, between photography, film and video, between a still image and a moving image.\u00a0After all, intrusive impressions of other lives overlap to our memory, exposing us to a monitored reality in which we wonder who is looking and what to look at. We will be facing forgotten, invented, distorted images, whose strength is based on their source -a trauma-, to offer us nothing but a hidden energy of lines and dots, a plot subtracted from the action in progress, yet constituting its drive.<\/em><\/p>\n

<\/p>\n

Juan Desteract<\/strong> est n\u00e9 \u00e0 Paris (France) en 1997, o\u00f9 il a v\u00e9cu pendant dix ans. Il vit et travaille actuellement \u00e0 Buenos Aires, en Argentine. Il a \u00e9tudi\u00e9 le graphisme (FADU, Universit\u00e9 de Buenos Aires) et la composition et l’improvisation en musique classique. Il a poursuivi sa formation en arts visuels dans le cadre de divers s\u00e9minaires, ateliers et r\u00e9sidences artistiques. Il produit et expose depuis 2019. Ses \u0153uvres ont fait partie d’expositions collectives dans des espaces d’art et des mus\u00e9es d’art contemporain \u00e0 Buenos Aires, Bah\u00eda Blanca et Santiago du Chili. Ses \u0153uvres combinent diff\u00e9rentes disciplines telles que le graphisme, l’\u00e9ditorial, la post-photographie, l’image anim\u00e9e exp\u00e9rimentale et l’improvisation musicale, en se concentrant sur certains traits distinctifs du structuralisme et du mat\u00e9riel d’archives pour franchir les fronti\u00e8res entre la photographie, le film et la vid\u00e9o dans le domaine de la post-production. Cela lui permet de travailler autour des tensions et des ambigu\u00eft\u00e9s qui op\u00e8rent entre le mouvement et l’immobilit\u00e9, entre l’analogique et le num\u00e9rique, le figuratif et l’abstrait, le pr\u00e9sent et le virtuel. Depuis 2020, il travaille dans le domaine du graphisme en tant qu’enseignant \u00e0 la FADU, Universit\u00e9 de Buenos Aires, et en tant que graphiste au Mus\u00e9e d’art moderne de Buenos Aires.<\/p>\n

Juan Desteract was born in Paris (France) in 1997, where he lived for ten years. He now lives and works in Buenos Aires, Argentina. He has studies in graphic design (FADU, University of Buenos Aires) and classical music composition and improvisation. He continued his training in visual arts in various seminars, workshops and art residencies. He has been producing and exhibiting since 2019. His works were part of group exhibitions in art spaces and contemporary art museums in Buenos Aires, Bah\u00eda Blanca and Santiago de Chile. His works combine different disciplines such as graphic design, editorial, post-photography, experimental moving image and musical improvisation, focusing on certain distinctive features of structuralism and archival material to cross the boundaries between photography, film and video in the field of post-production. This allows him to work around the tensions and ambiguities that operate between movement and immobility, between the analog and the digital, the figurative and the abstract, the present and the virtual. Since 2020 he works in graphic design as a teacher at FADU, University of Buenos Aires and as a graphic designer at the Museum of Modern Art of Buenos Aires.<\/em><\/p>\n","protected":false},"featured_media":10748,"menu_order":0,"template":"","portfolio-category":[363],"portfolio-tag":[],"class_list":["post-10747","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-friche-20-oct-2023-15h15"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio\/10747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/portfolio"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/10748"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=10747"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-category?post=10747"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-tag?post=10747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}