{"id":10512,"date":"2023-08-02T18:29:15","date_gmt":"2023-08-02T17:29:15","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&#038;p=10512"},"modified":"2023-08-02T18:45:48","modified_gmt":"2023-08-02T17:45:48","slug":"how-i-choose-to-spend-the-remainder-of-my-birthing-years","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/how-i-choose-to-spend-the-remainder-of-my-birthing-years\/","title":{"rendered":"How I Choose to Spend the Remainder of my Birthing Years"},"content":{"rendered":"<div class=\"project-information-tabs\">\n<div class=\"tab-section\">\n<div class=\"tabs\">\n<div class=\"tab active clearfix\" data-tab=\"overview\">\n<div class=\"project-details press-kit HACK-removeParagraphMargin\">\n<p>M\u00ealant r\u00e9cit personnel et exp\u00e9rience partag\u00e9e de la culture pop, l&rsquo;artiste manifeste un vieux fantasme d&rsquo;enfant dans la sc\u00e8ne d&rsquo;amour de \u00ab\u00a0Dirty Dancing\u00a0\u00bb (1987). <em>How I Choose to Spend the Remainder of my Birthing Years<\/em> juxtapose le d\u00e9sir sexuel pr\u00e9pub\u00e8re \u00e0 celui d&rsquo;une femme qui atteint son apog\u00e9e sexuelle. Le fantasme est \u00e0 la fois un baume sur la pi\u00e9t\u00e9 religieuse et un acte de r\u00e9sistance aux pressions exerc\u00e9es sur les femmes \u00e0 l&rsquo;approche de l&rsquo;\u00e2ge m\u00fbr. Ici, l&rsquo;image simul\u00e9e num\u00e9riquement, dans sa vraisemblance visuelle vacillante, expose notre volont\u00e9 et notre d\u00e9sir de croire.<\/p>\n<p><em>Blending personal narrative with shared pop cultural experience, the artist manifests a longheld childhood fantasy set within the love scene from \u00ab\u00a0Dirty Dancing\u00a0\u00bb (1987). <\/em>How I Choose to Spend the Remainder of my Birthing Years<em> juxtaposes pre-pubescent sexual desire with that of a woman descending her sexual peak. Fantasy is both a balm to religious piety and an act of resistance to the pressures put upon women approaching middle age. Here the digitally simulated image, in its wavering visual verisimilitude, exposes our willingness and desire to believe.<\/em><\/p>\n<p><img decoding=\"async\" class=\"slide-content\" draggable=\"false\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/attachments\/files\/005\/127\/434\/original\/HICTSTROMBY_still1_300dpi.jpg?1609628013\" \/><img decoding=\"async\" class=\"slide-content\" draggable=\"false\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/attachments\/files\/005\/986\/704\/original\/production3.jpg?1643259479\" \/><img decoding=\"async\" class=\"slide-content\" draggable=\"false\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/attachments\/files\/005\/127\/433\/original\/HICTSTROMBY_still2_300dpi.jpg?1609628006\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"press-kit \">\n<div class=\"clearfix\">\n<div class=\"Projects-sidebarHeader show\" role=\"heading\" aria-role=\"heading\" data-press-kit-director-biography-container=\"\">\n<p><a href=\"https:\/\/www.sarahlasley.com\/hictstromby\" target=\"_blank\" rel=\"nofollow noopener\">Website<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/sarah_lasley\/\" target=\"_blank\" rel=\"noopener\"> Instagram<\/a><\/p>\n<\/div>\n<p><label class=\"show press-kit__director-biography__image pull-left\" for=\"press-kit-upload-headshot\" data-press-kit-upload-container=\"headshot\" data-version=\"1590708177\"><a class=\"img img-link img--bordered anchor-block\" href=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/press_kits\/headshots\/001\/573\/342\/original\/728d0dc9f2-headshot.jpg?1590708177\" data-gallery=\"headshot\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/filmfreeway-production-storage-01-storage.filmfreeway.com\/press_kits\/headshots\/001\/573\/342\/thumb\/728d0dc9f2-headshot.jpg?1590708177\" alt=\"728d0dc9f2 headshot\" width=\"217\" height=\"144\" \/><\/a><\/label><\/p>\n<div class=\"press-kit__director-biography\">\n<div class=\"\">\n<div class=\"HACK-removeParagraphMargin\" data-press-kit-biography=\"\">\n<p><strong>Sarah Lasley<\/strong> est une artiste vid\u00e9o de Louisville, dans le Kentucky. Ses films sans budget explorent la nature m\u00e9diatis\u00e9e du genre et la relation sujet\/objet entre la cam\u00e9ra et l&rsquo;artiste. Elle a enseign\u00e9 la production vid\u00e9o et les m\u00e9dias \u00e9mergents \u00e0 l&rsquo;universit\u00e9 de Yale, au Pratt Institute et au Vassar College, et est actuellement professeur adjoint de nouveaux m\u00e9dias \u00e0 l&rsquo;universit\u00e9 du Texas, \u00e0 San Antonio. Ses courts m\u00e9trages ont \u00e9t\u00e9 projet\u00e9s internationalement dans des festivals de cin\u00e9ma et des galeries, plus r\u00e9cemment au Lesley Heller Workspace \u00e0 New York, au Vox Populi \u00e0 Philadelphie et au Franklin Street Works \u00e0 Stamford, CT. Elle a obtenu une ma\u00eetrise en peinture \u00e0 la Yale School of Art en 2008 et une licence en 2005 \u00e0 l&rsquo;universit\u00e9 de Louisville.<\/p>\n<p><em>Sarah Lasley is a video artist from Louisville, Kentucky. Her no-budget films explore the mediated nature of gender and the subject\/object relationship of the camera to a performer. She has taught video production and emerging media at Yale University, Pratt Institute, and Vassar College, and is currently an Assistant Professor of New Media at University of Texas, San Antonio. Her short films have screened internationally in film festivals and galleries, most recently at Lesley Heller Workspace in New York, NY, Vox Populi in Philadelphia, PA and Franklin Street Works in Stamford, CT. She received her MFA in Painting from the Yale School of Art in 2008 and her BFA in 2005 from the University of Louisville.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":10513,"menu_order":0,"template":"","portfolio-category":[356],"portfolio-tag":[],"class_list":["post-10512","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-friche-19-oct-2023-21h00"],"_links":{"self":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio\/10512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/types\/portfolio"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media\/10513"}],"wp:attachment":[{"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/media?parent=10512"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-category?post=10512"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/www.instantsvideo.com\/blog\/wp-json\/wp\/v2\/portfolio-tag?post=10512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}