{"id":10190,"date":"2023-06-05T05:49:46","date_gmt":"2023-06-05T04:49:46","guid":{"rendered":"https:\/\/www.instantsvideo.com\/blog\/?post_type=portfolio&p=10190"},"modified":"2023-09-19T09:33:13","modified_gmt":"2023-09-19T08:33:13","slug":"correspondance","status":"publish","type":"portfolio","link":"https:\/\/www.instantsvideo.com\/blog\/video\/correspondance\/","title":{"rendered":"Correspondance"},"content":{"rendered":"

\u00ab\u00a0Correspondance\u00a0\u00bb projet audiovisuel exp\u00e9rimental est n\u00e9 \u00e0 partir des travaux de recherche du Laboratoire Musique et Informatique de Marseille sur les Unit\u00e9s S\u00e9miotiques Temporelles (UST). Les UST sont des figures sonores dont le sens musical est exprim\u00e9 temporellement. Elles r\u00e9sultent d’une s\u00e9rie d’observations issues de la pratique de la musique \u00e9lectroacoustique. Chaque unit\u00e9 poss\u00e8de une description morphologique et s\u00e9mantique.\u00a0Ce projet pr\u00e9sente le r\u00e9sultat de l’illustration des dix neuf unit\u00e9s r\u00e9pertori\u00e9es dans le livre \u00ab\u00a0Les UST, \u00e9l\u00e9ments nouveaux d’analyses musicales\u00a0\u00bb publi\u00e9 en 2003.\u00a0Pour chaque UST, choisie au hasard, les deux artistes travaillent individuellement et sans concertation le son ou l’image sur une p\u00e9riode d\u00e9termin\u00e9e avec une dur\u00e9e impos\u00e9e d’1mn 30. \u00c0 la date pr\u00e9vue, la vid\u00e9o et la musique sont assembl\u00e9es, aucune modification n’est apport\u00e9e.\u00a0Les s\u00e9quences vid\u00e9os sont film\u00e9es sur l’\u00eele de La R\u00e9union, \u00e0 New York, au Portugal… La composition musicale s’articule sur le d\u00e9ploiement d’objets sonores cr\u00e9\u00e9s \u00e0 partir d’enregistrements de terrain, de sons concrets ou g\u00e9n\u00e9r\u00e9s par synth\u00e8se.<\/p>\n

\u00ab\u00a0Correspondence\u00a0\u00bb, an experimental audiovisual project, was born out of the research work carried out by the Laboratoire Musique et Informatique de Marseille on Temporal Semiotic Units (UST). USTs are sound figures whose musical meaning is expressed temporally. They are the result of a series of observations made in the practice of electroacoustic music. Each unit has a morphological and semantic description.\u00a0This project presents the result of the illustration of the nineteen units listed in the book \u00ab\u00a0Les UST, \u00e9l\u00e9ments nouveaux d’analyses musicales\u00a0\u00bb published in 2003.\u00a0For each UST, chosen randomly, the two artists work individually and without consultation on the sound or image over a given period with an imposed duration of 1 min 30. On the scheduled date, the video and music are assembled, with no changes made.\u00a0The video sequences are filmed on Reunion Island, in New York, in Portugal… The musical composition is based on the deployment of sound objects created from field recordings, concrete sounds or synthesized sounds.<\/em><\/p>\n

<\/p>\n

Noemi Sj\u00f6berg<\/strong> : L’alt\u00e9ration de la r\u00e9alit\u00e9, la condition humaine au fil du temps et le voyage sont l’axe du travail de Noemi Sj\u00f6berg. Elle a travaill\u00e9 au Japon, en Iran, aux \u00c9tats-Unis, en \u00c9gypte, en Inde, en Chine et en Mongolie. Loin de l’exotisme, le voyage est un \u00e9tat d’esprit qui lui permet d’aiguiser ses sens, d’\u00eatre loin pour voir de plus pr\u00e8s. Ses travaux ont \u00e9t\u00e9 pr\u00e9sent\u00e9s \u00e0 IFFR Rotterdam, Rooftop Films NYC, Kassel, Flux, Oberhausen, MACRO Roma, F\u00e4rgfabriken ou La Panera. En 2019, elle cr\u00e9e l’\u0153uvre permanente \u00ab\u00a0Plongeon\u00a0\u00bb pour la ville de Paris. En 2021, elle travaille 6 mois \u00e0 La R\u00e9union, cr\u00e9ant 2 \u0153uvres sur les femmes et la migration.<\/p>\n

https:\/\/noemisjoberg.com\/<\/a><\/p>\n

Pierre Pulisciano<\/strong> : Compositeur\/artiste sonore bas\u00e9 \u00e0 Marseille. Il \u00e9volue dans le domaine de la musique \u00e9lectroacoustique et exp\u00e9rimentale. Il d\u00e9veloppe \u00e0 la fois un travail de composition et des performances live. Son \u00e9criture musicale est principalement ax\u00e9e sur la recherche et le d\u00e9ploiement de masses sonores cr\u00e9\u00e9es \u00e0 partir de sons concrets ou g\u00e9n\u00e9r\u00e9s par synth\u00e8se, enregistrements de terrain. Dans sa d\u00e9marche il s’approprie les ph\u00e9nom\u00e8nes de la technologie et exploite les nombreuses caract\u00e9ristiques de l’analogique et du num\u00e9rique. Sensibles aux effets produits par la stimulation sensorielle, ses compositions nous invitent \u00e0 nous d\u00e9placer dans diff\u00e9rents \u00ab\u00a0espaces\u00a0\u00bb faits de frottements de masses sonores, pouvant sugg\u00e9rer diff\u00e9rents \u00e9tats de perception. Autodidacte, il int\u00e8gre le Conservatoire National Sup\u00e9rieur de Musique de Marseille en 2015 o\u00f9 il obtient le prix de Composition Electroacoustique en 2020, avec mention.<\/p>\n

https:\/\/bruicollage.org\/<\/a><\/p>\n

Noemi Sj\u00f6berg : The alteration of reality, the human condition over time and travel are the axis of Noemi Sj\u00f6berg’s work. She has worked in Japan, Iran, the United States, Egypt, India, China and Mongolia. Far from exoticism, travel is a state of mind that allows her to sharpen her senses, to be far away to look closer. Her works have been presented at IFFR Rotterdam, Rooftop Films NYC, Kassel, Flux, Oberhausen, MACRO Roma, F\u00e4rgfabriken or La Panera. In 2019 she created the permanent work \u00ab\u00a0Plongeon\u00a0\u00bb for the city of Paris. In 2021, she worked for 6 months in La R\u00e9union, creating 2 works on women and migration.<\/em><\/p>\n

Pierre Pulisciano : Composer\/sound artist based in Marseille. He evolves in the field of electroacoustic and experimental music. He develops both compositional work and live performances. His musical writing is mainly focused on the research and the deployment of sound masses created from concrete sounds or generated by synthesis, field recordings. In his approach he appropriates the phenomena of technology and exploits the many characteristics of analog and digital. Sensitive to the effects produced by sensory stimulation, his compositions invite us to move through different \u00ab\u00a0spaces\u00a0\u00bb made of frictions of sound masses, which can suggest different states of perception. Self-taught, he joined the National Conservatory of Marseille in 2015 where he obtained the prize of Electroacoustic Composition in 2020, with honors.<\/em><\/p>\n

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